Have you ever sat in a strip club and spent a minute or two looking at the DJ? Probably not; let’s face it, there’s boobage to be seen and that guy sitting alone in a booth isn’t going to be as compelling. But if you stop and think about it for a minute, this is a gig that involves getting paid to sit in a strip club and spin records. For the average musician, surely this is a dream job, right? Well, sometimes, according the Chris Polite of funk rockers the Infatuations and Franklin Hannah of hard rockers A.S.S. (also featuring Brian Thomas of Halloween).

As with any job (kinda), it’s not all Motley Crue and knockers. Sometimes, it’s difficult clients, difficult girls, and long hours. Still, they have some stories to tell …

Metro Times: How long have you been DJ-ing in strip clubs?

Chris Polite: Over 10 years now. I can’t believe how fast time flies.

Franklin Hannah: Going on four years.

MT: Where do you work now, and where, if anywhere, have you worked before?

Polite: I have worked at a few clubs over the years. I am currently at Subi’s Place in Southgate. It’s a great club with great owners.

Hannah: John’s Hot Spot in Ypsilanti. I have also worked at Subi’s in Southgate.

MT: What kind of music goes down best with the customers? Has that changed since you’ve been doing it?

Polite: I would say a good, happy medium is top 40 classic rock. It doesn’t matter how many times you’ve heard “You Shook Me All Night Long” (AC/DC) or “Girls Girls Girls” (Mötley Crüe) in a strip club, they always seem to be the right song that should be playing.

Hannah: It’s a mix. I try to play a little of everything but you will never make everyone happy.

MT: Some people would see this as a dream gig. Is it? Or is it just “a job”?

Polite: Ha! That’s a good question. I guess a cliché, or creepy answer, would be that I get paid to hang out with naked women, which might have been my answer when I was 20. What I really enjoy nowadays about working in the industry is all the different kind of people I meet, from pro athletes and businessmen to that socially awkward guy that finally feels comfortable around girls. The dancers are even more interesting. Every girl has a story about why she is dancing. Some are freaks who have nothing better to do and some are really caught up in the lifestyle. Overall, it is a great DJ job that pays well and becomes more fun the less judgmental you are.

Hannah: All my friends think this is the dream job, but they haven’t had to ever deal with these types of personalities, I assure you.

MT: Ever had a funny mishap?

Polite: One time a girl was probably a little too drunk and she wanted to dance to some “Smooth Criminal.” When it was time for her to go on stage, she all of a sudden had this broke-down MJ outfit on. Next thing you know, she does a jump for the pole and completely misses it. She went flying off the stage and crashed hard. She immediately got back on stage like nothing happened, looking disheveled, with her hat missing. Quite possibly one of the funniest things I have ever seen. I said a few remarks over the mic and was called insensitive for the rest of the night but, whatever, it was funny and she was OK.

Hannah: Only on purpose. If you get a particularly difficult girl or one who doesn’t tip, then you can have some fun with the music. For example, no one wants to dance to Kenny Loggins.

MT: Are people actually listening to you while they drool? Could you basically play anything?

Polite: It depends on the crowd. The difference between playing music in a strip club and other DJ gigs I have had is that in a strip club the people treat it like some sort of fantasyland. Most of the time, all the attention is on the girls. Music is secondary but important. As a DJ in a traditional club, you might DJ for three hours tops probably sharing sets. In a strip club you’re DJing seven or eight hours straight by yourself, so the dynamics of controlling the crowd are different.

Hannah: Some customers listen, but, for the most part, they just wanna see boobs.

MT: Do you create different moods depending on the time of day or type of set?

Polite: Absolutely. Once again, it depends on the crowd. If there are 30 guys in their 40s, then I stick with the classic rock type hits mixing it with a little top 40. When the crowd is younger, I stay away from the extremes like gangster rap or death metal and keep it between 120-130 bpm.  Once in a while, there is someone who feels the need to show the world how tough or cool they are or how much money they have. The tension can cut through a club like a knife so I just put on a few weird or slow songs that make people think, “What the fuck is he playing?”. Music is powerful; you can change the mood in any direction you want as a DJ as long as you can read people a little.

Hannah: Sometimes. It depends on which shift you work.

MT: Give me a play-by-play of a typical evening?

Polite: Get there early, put the girls in an order that visually makes sense for the stage show and get ready to party. Ha.

Hannah: Well, I work days so it’s not too eventful. Push the buttons, collect the money, and get the hell out.

MT: Do people give you requests?

Polite: All the time. Dancers love picking their music. The worst is when someone wants some sad love song that kills the mood. I usually convince them that is a bad idea. My favorite is when a local band or artist comes in with their CD and asks me to play it. As soon as their song comes over the speakers you can see how excited they are. It’s a small reward for musicians, but seems to mean the world to them. As a recording artist myself, I will never forget the first time I heard one of my songs on the radio, or in the strip club!

> Email Brett Callwood