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  • Planet Ant presents A Steady Rain

    The Planet Ant Theatre in Hamtramck will present a police drama called A Steady Rain May 2 through 24. Planet Ant veterans Ryan Carlson and York Griffith will star in the play, written by House of Cards and Mad Men co-writer Keith Huff. Tickets ($10-$20) are on sale now at According to the press release, “A Steady Rain by Keith Huff focuses on Joey and Denny, best friends since kindergarten and partners on the police force whose loyalty to each other is tested by domestic affairs, violence and the rough streets of Chicago. Joey helps Denny with his family and Denny helps Joey stay off the bottle. But when a routine disturbance call takes a turn for the worse their loyalty is put to the ultimate test.First produced at Chicago Dramatists, A Steady Rain appeared on Broadway featuring Hugh Jackman and Daniel Craig. The Planet Ant production of A Steady Rain is directed by York Griffith featuring Ryan Carlson and Andy Huff. This marks the return of two of Planet Ant’s founding members. Carlson and Griffith. Griffith has served as the theatre’s Artistic Director where he directed the critically-acclaimed productions The Adding Machine and Who’s Afraid of Virginia Woolf? […]

    The post Planet Ant presents A Steady Rain appeared first on Metro Times Blogs.

  • You can wear Detroit’s blight on your face

    There is no easy answer to the question regarding what should be done with Detroit’s abandoned homes. However, an Eastern Market company has a solution that could reflect Detroit’s possibly bright future. Homes Eyewear has set out to make the city a little more stylish, and do their part in cleaning it up by repurposing select woods from neglected homes for sunglasses. All of the wood that Homes uses is harvested from vacant houses with the assistance of Reclaim Detroit. A lot of work goes into prepping the wood to be cut and shaped into frames. Homes goes through each piece to remove nails, paint or anything else detrimental to their production (it’s a bit strange to think that your wooden sunglasses could have had family portraits nailed to them). In order to produce more durable eyewear, they salvage only hardwoods like maple or beech, which are difficult to come by as most of the blighted homes were built with softer woods like Douglas fir and pine. If you’re worried about looking goofy, or shudder at the thought of salvaged wood resting on your nose, you can rest easy. Homes currently offers frames in the popular wayfarer style and are developing their unique spin on the classic aviators. For as […]

    The post You can wear Detroit’s blight on your face appeared first on Metro Times Blogs.

  • Lily Tomlin coming to Ann Arbor

    Detroit home-girl Lily Tomlin will perform at the Hill Auditorium in Ann Arbor on Saturday, June 14. A press release reads, “Get together with Lily Tomlin for an unforgettable night of fun and sidesplitting laughter. “Tomlin is amazing” The NY Times and “as always a revelation.” The New Yorker This unique comic artist takes her audience on what the Washington Post calls a “wise and howlingly funny” trip with more than a dozen of her timeless characters—from Ernestine to Mrs. Beasley to Edith Ann.” “With astounding skill and energy, Tomlin zaps through the channels like a human remote control. Using a fantastic range of voices, gestures and movements, she conjures up the cast of characters with all the apparent ease of a magician pulling a whole menagerie of animals from a single hat.” NY Daily News “Her gentle touch is as comforting as it is edifying.” NY Time Out She has “made the one-person show the daring, irreverent art form it is today.” Newsweek Her long list of awards includes: a Grammy; two Tonys; six Emmys; an Oscar nomination; two Peabodys; and the prestigious Mark Twain Prize for American Humor. Find more info here. Follow @City_Slang

    The post Lily Tomlin coming to Ann Arbor appeared first on Metro Times Blogs.

  • Welcome Valerie Vande Panne, the new Detroit Metro Times editor

    The Detroit Metro Times, Detroit’s award-winning alternative weekly media company, is proud to announce the recent hire of Valerie Vande Panne as Editor-in-Chief. An award-winning independent journalist and Michigan native, Vande Panne’s work has appeared in Crain’s Detroit Business, The Daily Beast, and Salon, among other publications. Previously, Vande Panne attended Harvard University and was a regular contributor to The Boston Phoenix, and a news editor of High Times magazine. She has spent years covering drug policy among other subjects, including the environment, culture, lifestyle, extreme sports, and academia. “Valerie understands our business and what we expect to accomplish in Detroit. She has an excellent sense for stories that will move our readers, as well as experience with balancing print and digital content. I’m excited to have her at the paper and trust her leadership as we move forward,” said Detroit Metro Times publisher Chris Keating.

    The post Welcome Valerie Vande Panne, the new Detroit Metro Times editor appeared first on Metro Times Blogs.

  • Joumana Kayrouz to cover ‘Metro Times’

    She welcomes you when you enter Detroit, from every direction, with the one word that might just be Detroit’s biggest philosophical question: Injured? Joumana Kayrouz is deeper than the inflated image watching over Detroit, peddling justice to the poor and broken of the city. This Wednesday, Drew Philp takes us behind the billboard and into the heart of the Kayrouz quest. (And all of Brian Rozman’s photos of Kayrouz have not been retouched.) Check out MT‘s cover story, on newsstands Wednesday!

    The post Joumana Kayrouz to cover ‘Metro Times’ appeared first on Metro Times Blogs.

  • Fire at PJ’s Lager House, no people hurt

    There was a fire in an upstairs apartment at PJ’s Lager House on Monday evening. No people were hurt, although three cats belonging to the tenants died after CPR. The fire broke out around 10:30 p.m. during a show featuring Zombie Jesus & the Chocolate Sunshine Band, Curtin, and Jeffrey Jablonsky. “We just smelled smoke and someone yelled everyone has to get out,” 33-year-old Nick Leu told MLive. On the Lager House Facebook page in the early hours of the morning, a post said, “We at PJ’s lager House would like to thank everyone for their care and concern. Also, a very big THANK YOU to all who stepped up to do what they could this evening. The fire was contained to the upstairs but due to water damage in the bar, we will be closed until it can be assessed. Everyone is safe and we will keep you updated.” A later update read, “Update from the big boss. Since there was no damage to the stage side of the bar, the show will go on tomorrow! You may have to enter through the back door and there may not be a large selection of booze but we are going […]

    The post Fire at PJ’s Lager House, no people hurt appeared first on Metro Times Blogs.



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Detroit's vision and revision

Framework for change looks promising, but watch who controls the reins

Photo: N/A, License: N/A

Which brings us back to Dan Pitera, an associate professor of architecture at UDM and executive director of the university’s Detroit Collaborative Design Center, which, as the school’s website notes, is focused on “fostering university and community partnerships that create inspired and sustainable neighborhoods and spaces for all people.”

As for Pitera, his online biography describes him as “a political and social activist masquerading as an architect.” He’s also someone who, long before becoming a key member of the Detroit Future City team, helped put together the Adamah (Hebrew for the word “earth”) Project.

How, we wondered, are the two connected?

There is a link, says Pitera, but not exactly what could be called a direct one. It’s not as if the planners involved in the Detroit Future City effort pulled out the Adamah Project blueprint and said, “Oh, yeah, we have to copy this and this and this.”

Where Adamah broke ground, at least in part, was in its recognition of the fact that Detroit isn’t ever again going to be what it once was: an industrial powerhouse that’s home to nearly 2 million people. A new vision of the city had to be embraced by planners, and Adamah was an attempt to do that on a small scale.

In that respect, explains Pitera, Adamah was a “catalyst” for looking at urban development in a new way. The idea wasn’t to find ways to recover what had been lost, but rather to realize that 21st century Detroit would be a metropolis much different than the city it once was.

The specific vision offered up by Adamah may not have found its way to reality, but the underlying framework, one that acknowledges the fundamental necessity of inclusion and collaboration rather than the top-down approach decried by Boggs, is key to the Detroit Future City effort, Pitera says.

Which may be why those involved in the project insist on calling it a “framework” and not a plan. A framework sounds as if it’s more flexible.

And it’s more than encouraging that the Detroit Future City team, as its promotional material boasts, conducted “hundreds of public meetings: had “30,000 conversations” and received more than 70,000 survey responses en route to creating the new framework.

Certainly, the 347-page document that is the result of all this offers a level of detail about what is currently going on in the city — in terms of who owns what abandoned and vacant properties, where economic opportunities exist and can be furthered, what types of environmentally beneficial projects can be pursued that will make the city more livable while improving the overall economy, and more. Detroit has never had a planning tool this detailed or this far-reaching.

Moreover, the framework — in a way we don’t recall having seen — recognizes that a comprehensive approach is vital if the city is eventually going to stop its decline and find a level at which it is truly sustainable. No one sector, be it local government or well-funded foundations or grassroots activists or the business community— can achieve the needed transformation be acting separately.

Collaboration, both vertically and horizontally, is crucial for this to all work. And for the Detroit Future City team to recognize this is more than encouraging. The fact that it held hundreds of public meetings “connecting with people over 163,000 times,” through both conversations and surveys, demonstrates that the people behind the new framework understand that input from the ground up is crucial to future success.

We have much to build on: a surplus of cheap land, an immense supply of fresh water at a time when shortages of that crucial resource are only expected to intensify around the globe, and a location well-positioned to capitalize on international trade.

And as the new framework acknowledges, no one aspect can occur in isolation. From a functioning public transit system, to the encouragement of entrepreneurs as a way to spur economic growth, to massively reworking the city’s zoning ordinances — all this and more needs to take place in a coordinated way involving government agencies, nonprofits, the private sector and the public at large.

But before we got too carried away with our enthusiasm and joined the rest of the media in offering what sounded to us like a near-unanimous “hurrah” for this new framework, we put in a call to Shea Howell, a decades-long Detroit community activist, a founding member of the Boggs Center and a journalism professor at Oakland University.

Like us, she saw the grassroots-based approach inherent in the Adamah Project, as well as the strategic framework subsequently created by the Community Development Advocates of Detroit (CDAD) project, as having laid the groundwork for crucial parts of the Detroit Future City effort.

And that encourages her. What concerns her, though, is what happens going forward.

It is not enough that the community  “buys into” what’s being proposed. Instead, it is crucial that the big money players — be it philanthropies, such as the Kresge Foundation, which last week pledged to provide $150 million to help implement aspects of the Detroit Future City plan, or major corporations, bankers and others— not be allowed to gain control of the reins going ahead.

The same is true of city officials.

Howell points to the recent decision by City Council to sell 170 acres of vacant land on the east side to one businessman for a project known has Hantz Farms — despite a massive outpouring of community-based opposition — as an example of going in the wrong direction.

For Detroit to halt its decline, and to become a sustainable city far into the future, for it to achieve the grand vision that’s found in the new framework, the real lesson of the Adamah Project has to be kept in mind:

The creativity that will save Detroit won’t come from bankers or bureaucrats or big foundations. It will emerge from those who are engaged in the struggle to survive, because their creativity — and their community — is fundamental to that survival. It is, in many ways, their greatest asset.

It is also Detroit’s greatest asset.

Taking that into account, and continuing to incorporate the ideas and energy of these people, and keeping their interests at the fore as things move forward, is absolutely crucial.

As Howell says, the question now is how this grand vision gets implemented.

“This is where things get interesting,” she says.

It is also when we will see how much has really been learned.

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