Trending
Most Read
  • City Slang: New Black Dahlia Murder album lands at number 32 on Billboard charts
    Everblack, the new album from local metal heads Black Dahlia Murder, released on Metal Blade Records, entered the Billboard top 200 at number 32. According to a statement, “The album also landed at #3 on the Billboard Current Hard Music Albums chart (behind Black Sabbath and Queens of the Stone Age). Additional chart debuts include #3 on the Billboard Hard Music Albums, #9 on the Billboard Independent Albums, and #30 on the Hits Albums Chart. Additionally, the album peaked at #15 on the iTunes album chart, and #2 on the iTunes Metal chart, second only to living legends Black Sabbath.” BDM’s Trevor Strnad reacts to the success of the album: “We are thrilled that “Everblack” is being so well received by the fans and we thank them truly from the heart for picking the album up. It’s been an amazing ride so far and the new album is our proudest moment yet. THANKS!!” Click here to join the City Slang Turntable community!!! Follow @City_Slang
  • Urinal Cake Records – “UrineFested” 6/21-6/22
    Profile: Urinal Cake Records (on Metro Times Music Blahg – “Urinal Cake Records’ First Year + New Gardens (Grows)”) “Urinefested” Local Label Showcase -2 day Fest in Detroit June 21-22nd at P.J.’s Lager House (1254 Michigan Ave), Friday: The Clone Defects, Terrible Twos, Moonhairy, Obnox, Ritual Howls, Mountains and Rainbows – - Saturday: Johnny Ill Band, Protomartyr, Growwing Pains, Drugs Dragons, K9 Sniffles, Feelings, Guinea Worms, and the Keep On Trash DJs. — Visual artwork displays by Jeff Arcel, Thelonious Bone, Davin Brainard, Zak Bratto, Joe Casey, Luke Chapelle, Jimbo Easter, Andy Gabrysiak, Ben Lyon, Johnny Lzr, Kara Meister, Nai Sammon, Timmy Vulgar, and Matt 7 http://urinalcakerecords.com – pjslagerhouse.com  ~   There seems to be a lot of local DIY record labels, lately. But Johnny Ill nonchalantly shrugs that into perspective: “Shit, there could be no one to put out your music. I’m not dong it, so I’m glad guys like Eric are doing it…”   It’s still a rarity, says Ill (a.k.a. John Garcia of The Johnny Ill Band,) for someone (like Eric Love of Urinal Cake Records) willingly financing and spending time resources for local songwriters to produce, package and distribute their works.   “The worst thing that could happen [...]
  • City Slang: Battlecross post-Orion news
    Following their triumphant appearance at OrionFest, local metal heads Battlecross has announced that drummer Kevin Talley (formerly of Six Feet Under, Chimaira and Dying Fetus) will be staying on with the band for its forthcoming tour. See Battlecross performing Slayer’s “War Ensemble” at OrionFest here. The new album, War of Will, will be released via Metal Blade on July 9, and the first single will be “Force Fed Lies”. Battlecross will be on the Mayhem Festival with Rob Zombie throughout the summer. Follow @City_Slang
  • DIA ‘Courts’ New Diners
    Who says the Detroit Institute of Arts is only for art admirers? The addition of a Friday night music schedule has found some new converts. And now food lovers can rejoice as the museum unveils a new go-to place for visitors to eat, drink, relax and socialize. It’s the newly revamped Kresge Court. Combining an elegant atmosphere with competitive prices, visitors can enjoy an array of gourmet snacks, sandwiches, salads and desserts that use regional ingredients. Befitting a hip hangout, the dishes skew creative. If you’re stopping by for a quick lunch, you’ve got to try the fine ficelle salad. The stars of this show are prosciutto, black mission fig jam, wild arugula and European-style thin sourdough baguette. The green goddess salad features local greens, carrot ribbons, marinated summer squash, sunflower seeds and currants. Other offerings include DIA deviled eggs and wasabi tobiko caviar; artichokes, radish, black olive aioli and flatbread; toasted farro salad with shaved fennel; surryano dry-cured ham with hot pepper pickles and more. Desserts include Italian pudding with bittersweet chocolate, seasonal fruit croustade, and an alcoholic spin on a Detroit classic, a Boston rum cooler with Vernor’s ginger ale, French vanilla ice cream, Captain Morgan spiced rum, [...]
  • The 1943 Detroit Race Riot, 70 years later
    Mention “Detroit” and “riot” to most metro Detroiters today, and most people will think of the year 1967. Some will call it a “riot” and some will call it a “rebellion,” but chances are that nobody will talk about Detroit’s forgotten riot, the 1943 Detroit race riot. Most likely, that’s because the events of 1943 don’t neatly dovetail with our conventional narratives about the Greatest Generation, and they provide ugly examples of white racism that most area residents, if they remember them, would rather forget. And that’s a shame, because the 1943 riot offers a chance to look beyond  simplistic sociological assumptions about ’60s civil disorder and the ensuing urban disintegration. This is especially interesting at a time when historians such as Thomas Sugrue are re-examining Detroit and the roles played by whites and their institutions, often uncovering sweeping antecedents that transcend a passive white exodus. And for those whites who think the ramifications of institutional racism are overstated, those old photographs of white mobs rampaging up and down Woodward Avenue, beating and stabbing black Detroiters, might change a mind or two. And 1943 is also worth another look because it helps define the early civil rights movement. It saw African-Americans effectively [...]
  • Oh Criminals, Where Art Thou?
    I would be lying if I said I wasn’t a little disappointed with my Detroit experience so far. In the past 8 months, I have no gunshot wounds, stabbing scars, or even a stolen vehicle to show for it. I don’t even have a lower credit score! When I told everyone I was moving here, I got a wave of backlash and pleas to reconsider. It reminded me of the time I traveled to the Middle East and, as I was boarding my flight, received a hundred text messages and calls saying, “If you go, you are going to DIE!” Well, my time in the Middle East was just as disappointing and uneventful as my time here in Motown. Where have all the criminals gone? With a nice bout of insomnia, I used to walk to the YMCA at 5 a.m. to work out in total darkness. My Dad freaked out when I told him. What my father can’t understand is that, unless you live right downtown, and once the sun sets, the streets of Detroit are deserted. No cars. No homeless people. Even the pimps seem to take the night off. I could streak down Woodward (my apologies for the [...]
Detroit Daily Deals powered by ReferLocal
Calendar

Calendar

Search thousands of events in our database.

Restaurants

Search hundreds of restaurants in our database.

Nightlife

Search hundreds of clubs in our database.

MT on Twitter
MT on Facebook

Print Email

Last Blasts of Summer

Soaring sounds

An 'if you like' jazz fest sampler

Photo: N/A, License: N/A

Photo: N/A, License: N/A

Photo: N/A, License: N/A

Photo: N/A, License: N/A


A festival as big and broad as the Detroit International Jazz Festival can seem intimidating and off-putting. That's especially true when the term jazz covers more terrain than ever, yet gets less media than at many times past — and in a festival that has, over the years, expanded beyond the confines of jazz. With that in mind, a few (hardly exhaustive) taste-based suggestions ...

 

If you like 

hip hop, soul

Then we probably don't need to tell you Common appears Monday (4:45-6 p.m., Chase Main Stage near Campus Martius) with the ensemble of former Detroiter Karriem Riggins. But the influence of hip hop is sure to show up elsewhere, perhaps in surprising forms. You might hear it with Jason Moran & the Bandwagon (Saturday, 8-9:15 p.m., Mack Avenue Waterfront Stage) or the Vijay Iyer Trio (Sunday, 9:15-10:30 p.m., Waterfront Stage). They're led by two of the most lauded 40-and-under pianists, both daring experimenters, who've covered the likes of Afrika Bambaataa and M.I.A., respectively. Meanwhile the soul-to-R&B spectrum ranges from old school (Chuck Jackson, better known for his Bacharach-penned hit, "Any Day Now," than the Motown connection touted now, Saturday, 6:15-7:30 p.m., Main Stage) to new (Rahsaan Patterson, Sunday, 3:45-5 p.m., Main Stage).  

 

If you like 'The Girl from Ipanema'

A fest promo line this year is "We bring you the world," which includes lots of Brazil. There's vocalist Luciana Souza and guitarist Romero Lubambo (Saturday, 1:45-3 p.m., Absopure Pyramid Stage) a team that knows its Jobim (who co-wrote "The Girl") and delves deeply and into the bossa-samba repertoire, and connects it to the Great American Songbook and Souza's originals. In a similar vein Sunday: singer Vinicius Cantuária (6:30-7:30 p.m., Pyramid Stage) and Ivan Lins (9:30-10:45 p.m., Main Stage). Lins' "Love Dance" and "The Island" rank close behind "The Girl" in the bossa hall of fame. But Brazilian sounds suffuse jazz. For instance, Israeli clarinetist-saxophonist Anat Cohen (Sunday, 4:45-6 p.m., Pyramid Stage) is known for her sambas, and makes a medley of the Black Orpheus theme and Louis Armstrong's "Struttin' With Some Barbecue."

 

If you like blues and B-3s

Johnnie Bassett & the Blues Insurgents team up with Detroit's No. 1 beltin' mama, Thornetta Davis (Sunday, 2:15-3:15 p.m., Main Stage). And does the funky organ trio tradition belong more to jazz or to R&B? Back-to-back Saturday Pyramid performances are set for Gerard Gibbs & (the return of) ORGANized Crime (7:15-8:15 p.m.) and the Tony Monaco Trio (9-10:30 p.m.). Overlapping on Saturday 8-9 p.m. at the Main Stage, there's the B-3-driven Deacon Jones Blues Revue, featuring 11-year-old Detroit guitar prodigy "Guitar Ray" Goren. 

 

If you like to bop

Former Detroiter Curtis Fuller, on trombone, leads his sextet at the Pyramid on Saturday (3:15-4:45 p.m.), followed by Toots Thielemans with Kenny Werner (5:45-7 p.m.); not to pigeonhole anyone, but you'd expect some bop roots to show strongly. Your best bet for Charlie Parkeresque shows of chromatic velocity may be Cuban saxophonist Paquito D'Rivera and his quintet (Sunday, 7:30-8:45 p.m., Waterfront Stage), even if the trappings are heavily Afro-Cuban. (In that vein of Latin jazz, don't miss Sunday's shows by Los Gatos, at 6-7 p.m., and Sammy Figueroa & the Latin Jazz Explosion, at 7:30-9 p.m., both on the Main Stage.)

 

If you like outer space ...

Then the must-see is the Sun Ra Arkestra under the direction of Marshall Allen, swinging and caterwauling, simultaneously saluting Fletcher Henderson and the ionosphere (Saturday, 7-8:15 p.m., Carhartt Amphitheater Stage). But there's more between hard bop and the space place, including the Grammy-laden octet of bassist Dave Holland, which follows the Arkestra at the Amphitheater at 9:15 p.m. Also in their own orbits, you'll find the Jeff "Tain" Watts 4 and the Joe Lovano Us Five (back-to-back, Amphitheater Stage on Sunday (7:45 and 9:30 p.m.).

 

If you like World Music

You can barely throw a dart at the schedule without hitting some foreign connection, whether birth (Azerbaijanian pianist Amina Figarova or the Brit bassist Dave Holland) or aesthetic inspiration (Vijay Iyer and the Dave Sharp Seven taking cues from the music of India). In the vital African-connection category don't miss Beninise Angelique Kidjo (saluting South African Miriam Makeba in the "Sing the Truth" program, Friday, 8:45-10 p.m., Main Stage) and homecoming violinist Regina Carter & Reverse Thread (Sunday, 4-5:15 p.m., Waterfront Stage). 

 

If you want to give the drummer some 

Artist-in-residence Jeff "Tain" Watts (longtime Marsalis clan collaborator) drums with his own group and with the Michigan State University Jazz Orchestra. But he's part of a bang-up opening night (Friday, 7-8:15 p.m., Main Stage) with his drum club: vibesman Joe Locke, bassist Robert Hurst and fellow percussionists Susie Ibarra, Horacio "El Negro" Hernandez, Tony Pedro Martinez and (biggest surprise) Tony (longtime Fela Kuti trapsman) Allen.

 

 

See full festival schedule at detroitjazzfest.com.

We welcome user discussion on our site, under the following guidelines:

To comment you must first create a profile and sign-in with a verified DISQUS account or social network ID. Sign up here.

Comments in violation of the rules will be denied, and repeat violators will be banned. Please help police the community by flagging offensive comments for our moderators to review. By posting a comment, you agree to our full terms and conditions. Click here to read terms and conditions.
comments powered by Disqus