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  • Reports from the ‘High Times’ Medical Marijuana Cup in Clio

    On Saturday we set out to check out the High Times Medical Marijuana Cup in Clio, Mich. — High Times did hold a Cannabis Cup in the Motor City back in 2011, but Detroit police flexing their muscles and making arrests at that event may have been to blame, at least partially, for the choice of a new host city. The event was held this year at the Auto City Speedway, (also known as “B.F.E.” to Detroiters). Nevertheless, the prospect of stopping at the Torch for the best burger in the Genessee County was compelling — and anyway, this was the Cannabis Cup we were talking about. Was it really going to be “work?” It turned out, just a little bit. An inexplicable lack of an on-site ATM meant hiking quite a ways up the road to the nearest gas station, and then waiting for an attendant to restock the ATM with cash. We spoke with plenty of Cannabis Cup attendees at the gas station — everybody knows that the local gas station is a stoner’s best-friend. The two-day festival, for which one-day tickets were sold for $40, was divided into two sections — a general area and a medicating […]

    The post Reports from the ‘High Times’ Medical Marijuana Cup in Clio appeared first on Metro Times Blogs.

  • ICYMI: Forbes rates Detroit #9 on its “America’s Most Creative Cities” list

    Yes, it’s true. Forbes says Detroit is one of America’s most creative cities: “We ranked these places based on four metrics: activity per capita on project-funding platforms Kickstarter and Indiegogo and music sites Bandcamp and ReverbNation. The goal was to capture organic creativity, since many artistic and musical types have “day jobs” outside of creative pursuits.” The Forbes list sandwiches #9 Detroit between #8 Seattle and #10 Oakland, Calif. If you are watching the art and culture explosion happening right now in Detroit, you probably think we should rank higher than #2 Boston and #1 San Francisco, if only for the fact that it’s actually affordable to create here and there is space for everyone to be creative. But hey, those metrics weren’t part of the equation. And there’s always next year.

    The post ICYMI: Forbes rates Detroit #9 on its “America’s Most Creative Cities” list appeared first on Metro Times Blogs.

  • Food trucks go to the dogs

    Today, starting at 10am, Milo’s Kitchen Treat Truck will be swinging by the  Cherry Hill Village at Preservation Park on  N. Roosevelt St. in Canton. They’ll be serving the pups (“gour-mutts,” as Milo’s calls them) treats and the dog parents the opportunity of “family portraits.” Milo’s is on a cross-country food truck trip, promoting their “grilled burger bites” and “chicken meatballs” to pup parents from L.A. to NYC, with stops in between, including Chicago, Detroit, Pittsburgh, the Carolinas, and Arkansas. But watch out! Milo’s Kitchen Treat Truck markets “real chicken and beef home-style dog treats” that are are “wholesome” and “authentic” without “artificial flavors or colors-made right here in the USA.” Authentic, processed food that is. Remember what George Carlin said about “home-style”? Their treats are also packed with soy, TVP, wheat flour, tapioca, rice, and sugar–fillers that make the meat go far and aren’t the best for your pup. They’re also packed with preservatives, like sodium erythorbate, nitrates, BHA, sodium tripolyphosphate, and potassium sorbate. Small amounts are probably ok, and no doubt the pup will love it, the same way it’s easy for humans to love carb- and sugar- laden, processed and preserved, treats.  

    The post Food trucks go to the dogs appeared first on Metro Times Blogs.

  • Former Tigers Dave Rozema and Ike Blessitt to honor Mark “The Bird” Fidrych

    Coming up on August 16, former Detroit Tigers Dave Rozema and Ike Blessitt will team up with the Navin Field Grounds Crew and Metro Times‘ own Dave Mesrey to honor legend Mark “The Bird” Fidrych. The festivities, known as the annual “Bird Bash,” will be held at the infamous Nemo’s Bar & Grill, and will benefit The Bird’s favorite charity, the Wertz Warriors, and also the Mark Fidrych Foundation. For more information, check out their website or Facebook page.

    The post Former Tigers Dave Rozema and Ike Blessitt to honor Mark “The Bird” Fidrych appeared first on Metro Times Blogs.

  • First Little League game at Navin Field today

    Today Navin Field (the Old Tiger Stadium) hosts its first Little League game on a new field made just to host the youngsters! Here’s a photo of the game happening right now, courtesy Tom Derry and Metro Times‘ copy editor extraordinaire, Dave Mesrey: Stop by the site (corner of Michigan and Trumbull) today to watch history in the making!

    The post First Little League game at Navin Field today appeared first on Metro Times Blogs.

  • Twerk du Soleil shakes up Detroit

    Former American Idol contestant Vonzell Solomon weighs in on twerking, natural hair & CEO status. In 2005, recording artist Vonzell “Baby V” Solomon embarked on a journey that changed her life. At the age of 20, Vonzell made it to the top three on American Idol before she was eliminated. But that was not the beginning nor the end of her journey to stardom. Vonzell is one of more than two dozen artists on tour with YouTube sensation Todrick Hall, who is a former Idol contestant as well. Todrick gained notoriety for his fast food drive-thru songs and also for producing parody videos  —  based on popular Broadway musicals and songs. His tour, uniquely entitled Twerk Du Soleil (translation: twerk of the sun), is a combination of his popular YouTube spoofs. Both Vonzell and her ratchet alter ego,Boonquisha Jenkins, made an appearance in Twerk Du Soleil,which stopped in Detroit July 23 at Saint Andrews Hall. Boonquisha opened the show by facilitating a twerking competition among the audience. Next, Vonzell made a reappearance singing a fan favorite – Whitney Houston’s “I Have Nothing.” Later, Boonquisha came on stage screaming “It’s so cold in the D! You gotta be from the D to […]

    The post Twerk du Soleil shakes up Detroit appeared first on Metro Times Blogs.



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Cover Story

Motown revival

Remembering the Marvelettes and the hit factory's beginnings

Photo: Justin Rose, License: N/A

Justin Rose

Photo: Doug Coombe, License: N/A

Doug Coombe

The Marvelettes: Looking for that postman, again?

Anderson-Schaffner added that "the energy was high and the vibe was immaculate. We were family, and we were always on the road. We never thought we'd break a million, and we were on the road when it did, barely had a minute to celebrate. The boys did all the partying."

Vandella Ashford-Holmes said "the atmosphere at West Grand was that everyone really did love each other — at least until you got on the road. But when you were at Hitsville, everyone greeted each other with a hug and a kiss." 

This was the kind of interaction Sperling was hoping to produce. He addressed his cast: "See, guys, she just gave you an actionable bit of research there. She said when you arrived at Motown, there was always a hug and a kiss."

"When we went to the Boulevard, it was like we were going home," said Vandella Beard-Helton. "Once we were on Motown, we actually spent more time at the studio than we did at home."

When Sperling said, "That sounds like Mosaic for some of you," he was met with a rather harmonious choruses of yeses.

It went on like that all afternoon, Mosaic mining away at source material for what are known as "actionable" moments, insights to life in the '60s and life on the road, dealing with Southern racism, separation anxiety and educational sacrifices.

"When you're 15, 16 years old, sometimes you don't think of all the consequences that are out there when you make the decision to dedicate your life to it," said Anderson-Schaffner. "We were there before the vocal training, the choreography; we had to learn as we went. We were at the start of it all. We started it. Not the Temptations, as it's been told; not the Supremes, as it's been told; and not Stevie Wonder, as it's been told. 

"We like the idea you're telling, the original story, performing the truth. This story has never been told." 


Last Friday night, Now That I Can Dance opened to a packed house in the DIA's Detroit Film Theatre. The frenzy in the lobby wasn't such a surprise.

Before the house lights came down, within the first few rows, some original Motown singers and faculty mixed it up. There was original Marvelette Wanda Young, who married her longtime boyfriend Bobby Rogers, an original member of the Miracles. The graceful beauty that is Maxine Powell, at 88 years old, sat among other Motown producers, musicians, friends and family. At one point, it seemed the family representing Florence Ballard had to fend off some diehard fan. And, of course, also there with loved ones, were Vandellas Beard-Helton and Ashford-Holmes, Contour Billingslea and that one very important Marvelette 

A feature-length play featuring an all-youth cast that works just as well for adults as it does for even elementary-aged audiences is a tall order, especially when the production involves themes such as mental illness, physical abuse, violent bigotry, broken hearts and fractured friendships. But that's exactly what Mosaic does, and Now That I Can Dance shows the Mosaic company at its best. 

With well-honed humor and well-toned drama, the early Motown story is unfurled through the perspective of Anderson and the Marvelettes, though we get plenty of the Miracles, Vandellas and Contours, as well as Stevie Wonder and Mary Wells. And if there were an antagonist, it'd be the original diva herself, Diana Ross.

It's hard to say if the acting or singing is better. On one hand, there were times when you had to remind yourself that these actors aren't even out of high school yet. But being that the audience knows the rhythms and lyrics to every song in the production, it's safe to say the play delivers the purest form of fun when they're singing.

Now That I Can Dance chronicles the early years of Motown, when Marvin Gaye wanted to be "the colored Sinatra," Martha Reeves was a secretary, and Berry Gordy was just beginning to build the foundation of an immense culture-shifting factory in what looked like just another house on West Grand Boulevard. 

If you're reading this as a Detroiter, Now That I Can Dance is, in a way, also your story. It's set in a time when our nation's social fabric was being tested and torn, yet the American Dream was coming alive one song at a time in the Motor City.

Given the state of bewildering social, political, economic and racial polarization that exists today, this production reminds us of the magic we're capable of making in the midst of it all.


Travis Wright is arts & culture editor at Metro Times. Send letter to


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