Trending
Most Read
  • Urinal Cake Records – “UrineFested” 6/21-6/22
    Profile: Urinal Cake Records (on Metro Times Music Blahg – “Urinal Cake Records’ First Year + New Gardens (Grows)”) “Urinefested” Local Label Showcase -2 day Fest in Detroit June 21-22nd at P.J.’s Lager House (1254 Michigan Ave), Friday: The Clone Defects, Terrible Twos, Moonhairy, Obnox, Ritual Howls, Mountains and Rainbows – - Saturday: Johnny Ill Band, Protomartyr, Growwing Pains, Drugs Dragons, K9 Sniffles, Feelings, Guinea Worms, and the Keep On Trash DJs. — Visual artwork displays by Jeff Arcel, Thelonious Bone, Davin Brainard, Zak Bratto, Joe Casey, Luke Chapelle, Jimbo Easter, Andy Gabrysiak, Ben Lyon, Johnny Lzr, Kara Meister, Nai Sammon, Timmy Vulgar, and Matt 7 http://urinalcakerecords.com – pjslagerhouse.com  ~   There seems to be a lot of local DIY record labels, lately. But Johnny Ill nonchalantly shrugs that into perspective: “Shit, there could be no one to put out your music. I’m not dong it, so I’m glad guys like Eric are doing it…”   It’s still a rarity, says Ill (a.k.a. John Garcia of The Johnny Ill Band,) for someone (like Eric Love of Urinal Cake Records) willingly financing and spending time resources for local songwriters to produce, package and distribute their works.   “The worst thing that could happen [...]
  • City Slang: Battlecross post-Orion news
    Following their triumphant appearance at OrionFest, local metal heads Battlecross has announced that drummer Kevin Talley (formerly of Six Feet Under, Chimaira and Dying Fetus) will be staying on with the band for its forthcoming tour. See Battlecross performing Slayer’s “War Ensemble” at OrionFest here. The new album, War of Will, will be released via Metal Blade on July 9, and the first single will be “Force Fed Lies”. Battlecross will be on the Mayhem Festival with Rob Zombie throughout the summer. Follow @City_Slang
  • DIA ‘Courts’ New Diners
    Who says the Detroit Institute of Arts is only for art admirers? The addition of a Friday night music schedule has found some new converts. And now food lovers can rejoice as the museum unveils a new go-to place for visitors to eat, drink, relax and socialize. It’s the newly revamped Kresge Court. Combining an elegant atmosphere with competitive prices, visitors can enjoy an array of gourmet snacks, sandwiches, salads and desserts that use regional ingredients. Befitting a hip hangout, the dishes skew creative. If you’re stopping by for a quick lunch, you’ve got to try the fine ficelle salad. The stars of this show are prosciutto, black mission fig jam, wild arugula and European-style thin sourdough baguette. The green goddess salad features local greens, carrot ribbons, marinated summer squash, sunflower seeds and currants. Other offerings include DIA deviled eggs and wasabi tobiko caviar; artichokes, radish, black olive aioli and flatbread; toasted farro salad with shaved fennel; surryano dry-cured ham with hot pepper pickles and more. Desserts include Italian pudding with bittersweet chocolate, seasonal fruit croustade, and an alcoholic spin on a Detroit classic, a Boston rum cooler with Vernor’s ginger ale, French vanilla ice cream, Captain Morgan spiced rum, [...]
  • The 1943 Detroit Race Riot, 70 years later
    Mention “Detroit” and “riot” to most metro Detroiters today, and most people will think of the year 1967. Some will call it a “riot” and some will call it a “rebellion,” but chances are that nobody will talk about Detroit’s forgotten riot, the 1943 Detroit race riot. Most likely, that’s because the events of 1943 don’t neatly dovetail with our conventional narratives about the Greatest Generation, and they provide ugly examples of white racism that most area residents, if they remember them, would rather forget. And that’s a shame, because the 1943 riot offers a chance to look beyond  simplistic sociological assumptions about ’60s civil disorder and the ensuing urban disintegration. This is especially interesting at a time when historians such as Thomas Sugrue are re-examining Detroit and the roles played by whites and their institutions, often uncovering sweeping antecedents that transcend a passive white exodus. And for those whites who think the ramifications of institutional racism are overstated, those old photographs of white mobs rampaging up and down Woodward Avenue, beating and stabbing black Detroiters, might change a mind or two. And 1943 is also worth another look because it helps define the early civil rights movement. It saw African-Americans effectively [...]
  • Oh Criminals, Where Art Thou?
    I would be lying if I said I wasn’t a little disappointed with my Detroit experience so far. In the past 8 months, I have no gunshot wounds, stabbing scars, or even a stolen vehicle to show for it. I don’t even have a lower credit score! When I told everyone I was moving here, I got a wave of backlash and pleas to reconsider. It reminded me of the time I traveled to the Middle East and, as I was boarding my flight, received a hundred text messages and calls saying, “If you go, you are going to DIE!” Well, my time in the Middle East was just as disappointing and uneventful as my time here in Motown. Where have all the criminals gone? With a nice bout of insomnia, I used to walk to the YMCA at 5 a.m. to work out in total darkness. My Dad freaked out when I told him. What my father can’t understand is that, unless you live right downtown, and once the sun sets, the streets of Detroit are deserted. No cars. No homeless people. Even the pimps seem to take the night off. I could streak down Woodward (my apologies for the [...]
  • City Slang: Weekly music review roundup
    Send CDs, vinyl, cassettes, demos and 8-tracks to Brett Callwood, Metro Times, 733 St. Antoine, Detroit, MI 46226. Email MP3s and streaming links to bcallwood@metrotimes.com. We had previously received a sampler CD from Funky D Records signees The Royal Blackbirds, and the full album Shot Down landed on our laps this week. Thanks to the presence of singer Rebecca Saad, there’s a cool, kinda Amy Gore-esque feel to the bluesy garage rock, perfectly highlighted by covers like “I Can Only Give You Everything” and the title track. The originals are cool too, and Tino Gross has dragged out the dust and grit from these youngsters. Great piece of work, all told. This week’s City Slang stars the Horse Cave Trio sent in the 2010 single “I Am the Sheik” (Funky D), and it’s worth another mention because it’s so damned gnarly, nasty and heavy. These guys are known for their rockabilly swagger, but they can let out an unholy roar when they want to. Detroit Frank DuMont loves his hometown so much, he put it in his name. His band is called the Drivin’ Wheels, and the logo was designed by Gary Grimshaw. Mind you, his new Let Me Be [...]
Detroit Daily Deals powered by ReferLocal
Calendar

Calendar

Search thousands of events in our database.

Restaurants

Search hundreds of restaurants in our database.

Nightlife

Search hundreds of clubs in our database.

MT on Twitter
MT on Facebook

Print Email

Arts

Canvassing the hood

Four and Minimal Landscapes

Photo: N/A, License: N/A

"Pony Boy" by Lynn Galbreath, part of the exhibit Four


What: The opening of two new exhibitions featuring the work of accomplished local artists.

 

Where: Paint Creek Center for the Arts, 407 Pine St., Rochester; 248-651-4110; pccart.org.

 

When: Opening receptions 7 to 9 p.m. on Friday, Jan. 20; exhibits display through Feb. 17.

 

Paint Creek Center for the Arts launches two new exhibitions this week. In the main gallery, Four features the work of four (natch!) artists with diverse backgrounds, experience and approaches to their art: 

Sculptor Evelyn Bachorski-Bowman displays pieces from her Portraits of a Soul series, which makes use of textured plastic and encaustic to depict the emotional states of her subjects. A painting, drawing and design teacher at Oakland University, Lynn Galbreath presents two series of mixed-media drawings. Cristin Richard creates wearable sculptures and installations, mainly from hog and sheep casings (!), that reflect on fashion, the body and materialism. 2009 Kresge Artist Fellow Sioux Trujillo, who bridges the gap between arts and communities as assistant director of community + public arts: Detroit, presents an installation that incorporates threads, felt and fiber objects.

Meanwhile, the first floor gallery is devoted to the work of local photographer Kyohei Abe. The founding director of Detroit Center for Contemporary Photography, Abe's background includes an extensive international exhibition history, numerous honors and awards, a bachelor's degree in architecture and space design, and a master's in photography from Cranbrook Academy of Art. For this solo exhibit, Minimal Landscapes, Abe draws on both his architectural and photographic skills to create sparse, clean compositions. 

Of his work, Abe says, "In my creative process, I always look for juxtapositions and interrelationships that create new perceptions and new meanings. I always discover a structure, or some form of order within."

The Whipping Man

 

What: A collaboration between Detroit's Plowshares Theatre Company and the Jewish Ensemble Theatre.

 

Where: The Music Box Theatre at the Max M. Fisher Music Center, 3711 Woodward Ave., Detroit; tickets and info at 313-593-0926 or plowsharestheatre.org.

 

When: At 8 p.m. Friday, 2 and 8 p.m. Saturday and 3 p.m. Sunday; further productions Jan. 27-29.

 

The itinerant Plowshares Theatre Company, which has operated without a home of its own for nearly 40 years, recently announced that they've joined with the Arts League of Michigan to transform the third floor of the Virgil H. Carr Cultural Center into a 400-seat performance venue. Along with Plowshares, the new space will play host to a few other artistic organizations. While development — including fundraising events, of course — is in the works, Plowshares remains in action with The Whipping Man, the story of an unusual Passover dinner bringing together two newly freed slaves and a Confederate soldier in the tumultuous aftermath of the Civil War.

 

 

Sugar Hill Clay

 

What: The opening of a new ceramics studio in the Sugar Hill Arts district of Midtown.

 

Where: 71 Garfield St., Detroit; 313-389-6811; sugarhillclay.wordpress.com.

 

A brand-spanking-new addition to Midtown's art scene, Sugar Hill Clay offers classes, workshops and open studio time for metro Detroiters interested in getting their hands dirty. Most classes are open to the inexperienced (so don't let that hold you back); offerings include your basic intro courses, as well as parent-and-child ceramics, drinking and eating vessels, and teen wheel throwing, offered in partnership with Pewabic Pottery. The studio is also available for private parties, and periodic workshops with visiting artists will also be on the agenda. See the website to stay up-to-date on the latest happenings.

We welcome user discussion on our site, under the following guidelines:

To comment you must first create a profile and sign-in with a verified DISQUS account or social network ID. Sign up here.

Comments in violation of the rules will be denied, and repeat violators will be banned. Please help police the community by flagging offensive comments for our moderators to review. By posting a comment, you agree to our full terms and conditions. Click here to read terms and conditions.
comments powered by Disqus