Trending
Most Read
  • Urinal Cake Records – “UrineFested” 6/21-6/22
    Profile: Urinal Cake Records (on Metro Times Music Blahg – “Urinal Cake Records’ First Year + New Gardens (Grows)”) “Urinefested” Local Label Showcase -2 day Fest in Detroit June 21-22nd at P.J.’s Lager House (1254 Michigan Ave), Friday: The Clone Defects, Terrible Twos, Moonhairy, Obnox, Ritual Howls, Mountains and Rainbows – - Saturday: Johnny Ill Band, Protomartyr, Growwing Pains, Drugs Dragons, K9 Sniffles, Feelings, Guinea Worms, and the Keep On Trash DJs. — Visual artwork displays by Jeff Arcel, Thelonious Bone, Davin Brainard, Zak Bratto, Joe Casey, Luke Chapelle, Jimbo Easter, Andy Gabrysiak, Ben Lyon, Johnny Lzr, Kara Meister, Nai Sammon, Timmy Vulgar, and Matt 7 http://urinalcakerecords.com – pjslagerhouse.com  ~   There seems to be a lot of local DIY record labels, lately. But Johnny Ill nonchalantly shrugs that into perspective: “Shit, there could be no one to put out your music. I’m not dong it, so I’m glad guys like Eric are doing it…”   It’s still a rarity, says Ill (a.k.a. John Garcia of The Johnny Ill Band,) for someone (like Eric Love of Urinal Cake Records) willingly financing and spending time resources for local songwriters to produce, package and distribute their works.   “The worst thing that could happen [...]
  • City Slang: Battlecross post-Orion news
    Following their triumphant appearance at OrionFest, local metal heads Battlecross has announced that drummer Kevin Talley (formerly of Six Feet Under, Chimaira and Dying Fetus) will be staying on with the band for its forthcoming tour. See Battlecross performing Slayer’s “War Ensemble” at OrionFest here. The new album, War of Will, will be released via Metal Blade on July 9, and the first single will be “Force Fed Lies”. Battlecross will be on the Mayhem Festival with Rob Zombie throughout the summer. Follow @City_Slang
  • DIA ‘Courts’ New Diners
    Who says the Detroit Institute of Arts is only for art admirers? The addition of a Friday night music schedule has found some new converts. And now food lovers can rejoice as the museum unveils a new go-to place for visitors to eat, drink, relax and socialize. It’s the newly revamped Kresge Court. Combining an elegant atmosphere with competitive prices, visitors can enjoy an array of gourmet snacks, sandwiches, salads and desserts that use regional ingredients. Befitting a hip hangout, the dishes skew creative. If you’re stopping by for a quick lunch, you’ve got to try the fine ficelle salad. The stars of this show are prosciutto, black mission fig jam, wild arugula and European-style thin sourdough baguette. The green goddess salad features local greens, carrot ribbons, marinated summer squash, sunflower seeds and currants. Other offerings include DIA deviled eggs and wasabi tobiko caviar; artichokes, radish, black olive aioli and flatbread; toasted farro salad with shaved fennel; surryano dry-cured ham with hot pepper pickles and more. Desserts include Italian pudding with bittersweet chocolate, seasonal fruit croustade, and an alcoholic spin on a Detroit classic, a Boston rum cooler with Vernor’s ginger ale, French vanilla ice cream, Captain Morgan spiced rum, [...]
  • The 1943 Detroit Race Riot, 70 years later
    Mention “Detroit” and “riot” to most metro Detroiters today, and most people will think of the year 1967. Some will call it a “riot” and some will call it a “rebellion,” but chances are that nobody will talk about Detroit’s forgotten riot, the 1943 Detroit race riot. Most likely, that’s because the events of 1943 don’t neatly dovetail with our conventional narratives about the Greatest Generation, and they provide ugly examples of white racism that most area residents, if they remember them, would rather forget. And that’s a shame, because the 1943 riot offers a chance to look beyond  simplistic sociological assumptions about ’60s civil disorder and the ensuing urban disintegration. This is especially interesting at a time when historians such as Thomas Sugrue are re-examining Detroit and the roles played by whites and their institutions, often uncovering sweeping antecedents that transcend a passive white exodus. And for those whites who think the ramifications of institutional racism are overstated, those old photographs of white mobs rampaging up and down Woodward Avenue, beating and stabbing black Detroiters, might change a mind or two. And 1943 is also worth another look because it helps define the early civil rights movement. It saw African-Americans effectively [...]
  • Oh Criminals, Where Art Thou?
    I would be lying if I said I wasn’t a little disappointed with my Detroit experience so far. In the past 8 months, I have no gunshot wounds, stabbing scars, or even a stolen vehicle to show for it. I don’t even have a lower credit score! When I told everyone I was moving here, I got a wave of backlash and pleas to reconsider. It reminded me of the time I traveled to the Middle East and, as I was boarding my flight, received a hundred text messages and calls saying, “If you go, you are going to DIE!” Well, my time in the Middle East was just as disappointing and uneventful as my time here in Motown. Where have all the criminals gone? With a nice bout of insomnia, I used to walk to the YMCA at 5 a.m. to work out in total darkness. My Dad freaked out when I told him. What my father can’t understand is that, unless you live right downtown, and once the sun sets, the streets of Detroit are deserted. No cars. No homeless people. Even the pimps seem to take the night off. I could streak down Woodward (my apologies for the [...]
  • City Slang: Weekly music review roundup
    Send CDs, vinyl, cassettes, demos and 8-tracks to Brett Callwood, Metro Times, 733 St. Antoine, Detroit, MI 46226. Email MP3s and streaming links to bcallwood@metrotimes.com. We had previously received a sampler CD from Funky D Records signees The Royal Blackbirds, and the full album Shot Down landed on our laps this week. Thanks to the presence of singer Rebecca Saad, there’s a cool, kinda Amy Gore-esque feel to the bluesy garage rock, perfectly highlighted by covers like “I Can Only Give You Everything” and the title track. The originals are cool too, and Tino Gross has dragged out the dust and grit from these youngsters. Great piece of work, all told. This week’s City Slang stars the Horse Cave Trio sent in the 2010 single “I Am the Sheik” (Funky D), and it’s worth another mention because it’s so damned gnarly, nasty and heavy. These guys are known for their rockabilly swagger, but they can let out an unholy roar when they want to. Detroit Frank DuMont loves his hometown so much, he put it in his name. His band is called the Drivin’ Wheels, and the logo was designed by Gary Grimshaw. Mind you, his new Let Me Be [...]
Detroit Daily Deals powered by ReferLocal
Calendar

Calendar

Search thousands of events in our database.

Restaurants

Search hundreds of restaurants in our database.

Nightlife

Search hundreds of clubs in our database.

MT on Twitter
MT on Facebook

Print Email

Politics & Prejudices

The meaning of Dr. K.

The crank who made us rethink how lives should end

Photo: Photo: WillMcC, License: N/A

Photo: WillMcC


Very few people knew this, but a wealthy woman from California fell in love with Jack Kevorkian soon after he finally got himself convicted and sent to prison back in 1999.

Her name was Fuensanta Plaza, and while her name sounded like a shopping mall in Los Angeles, she was actually a Venezuelan who had lived many years in Switzerland. She would show up monthly, sometimes staying in the Townsend Hotel, and would take a limousine to see Dr. Death.

She was in her early 50s, highly educated, multilingual, had an exotic Mitteleuropean accent, and, with her dark hair and very white skin, could easily have fit in on the set of The Addams Family. She felt they were destined to be. Sometimes she talked as if he would be released and they would marry. Other times, she had visions of them ending it all together.

Once, she even mentioned smuggling some poison into prison, slipping it between the bars and biting it together, which, besides being practically impossible, given that they search you at Jacktown, smacked uncomfortably of Adolf and Eva's bunker farewell.

"Do you know what first brought us together?" she asked me once. "It was when we found out that we agreed that nobody who hated children and dogs could be all bad!" she said, laughing. I decided not to suggest a trip to Cedar Point.

For a while, the good Dr. Death looked forward to her visits; she was well-read, intelligent, and morbidly witty. She fooled herself (as other people have) into thinking that he cared for her. Kevorkian was bored in prison, and needed someone to amuse him. He was, however, incapable of forming any kind of deep, lasting human attachments.

Eventually, I think the senorita realized this. What really disillusioned her, however, was his failure to follow through on his promise to starve himself to death. Kevorkian had vowed for years to do that if he were ever imprisoned.

Once on the cellblock, however, that didn't look quite so appetizing. On one of the few occasions I talked to him during his prison years, he confessed a soft spot for "those chewy, rubbery cookies" they had in the prison cafeteria.

When Fuensanta realized Dr. Death wasn't ready to put his cyanide where his mouth was, she was scandalized. "He is killing Kevorkian so that Jack may liff!" she spluttered, accent thicker than usual. With that, she flounced back to California, where she became a devotee of the Norse gods.

I'm not making that up. Last year, she went to meet Loki. I don't know if she did self-medicide, though she told me once that she had vowed not to live to see 60, and she was three months short of that milestone when she entered Valhalla.

Last week, Jack Kevorkian joined her in what he believed would be eternal nothingness. Though he only talked to me once after he got out of the slam four years ago, (he said I was "too objective"), I once knew him as well as, or better than, any other journalist. I covered all his trials for The New York Times and did major pieces about him for Esquire and Vanity Fair.

He was, indeed, an eternally colorful character, even if the palette had heavy black accents. Now, however, his personal story is finally over, and it is time to start asking:

What was his place in history? Was he, in fact, a prophet ahead of his time, a medical pioneer who will be seen as a visionary by future generations? Or was he just a ghoulish crank, a relic of the mid-1990s, who titillated us with morbid death porn in an era when the economy was good, we weren't at war, and nobody had heard of Osama, Obama or even Monica?

In a sense, Fuensanta was right, in that Kevorkian the trailblazer had ceased to exist some time ago — but not because he refused to commit suicide in jail.

When he died last week, I was at Stirling Castle in Scotland, cell phone-free so that I could imagine myself as a medieval Scottish warrior. My significant other had no such fantasies, and so she got the call. When I found out, I mentioned Dr. Death's demise to an Israeli traveler.

"I thought he died a long time ago," she said. She wasn't alone; from time to time, people in Detroit have asked me whether he was still alive, or whatever happened to him.

In fact, during the last few years, Dr. Death had largely lived as a cranky recluse, dividing much of his time between the Royal Oak Public Library and a cheap apartment across the street. Three years ago, he launched a bid for Congress as an independent, before characteristically losing interest in his own campaign, finishing with 3 percent of the vote.

Ironically, his reputation — and that of the cause he championed — might be vastly different if he had died when he predicted he would. Years ago, he insisted he would never live to be 70. "Nobody in my family has, and I won't either," he said.

When he did turn that magic number, on May 26, 1998, he — with the necessary help of attorney Geoffrey Fieger — had accomplished something astounding: he had made his brand of physician-assisted suicide de facto legal in metropolitan Detroit, if not all of Michigan. Prosecutors indicated they would no longer charge him in assisted suicide cases.

Other doctors were talking about also openly helping patients. But there was always a reckless and self-destructive piece of Jack Kevorkian. He began assisting patients with more dubious physical or mental problems. Finally, he insisted on performing euthanasia on a victim of Lou Gehrig's disease.

He deliberately baited prosecutors by videotaping the act, sending it to Mike Wallace of 60 Minutes, and — just to make sure he got himself convicted — firing Fieger, the man to whom he owed his freedom and his international celebrity status.

Kevorkian insisted on defending himself. This time, his client really was a fool. As they led him away after conviction, he grinned at me and said: "Now I've got them right where I want them."

We welcome user discussion on our site, under the following guidelines:

To comment you must first create a profile and sign-in with a verified DISQUS account or social network ID. Sign up here.

Comments in violation of the rules will be denied, and repeat violators will be banned. Please help police the community by flagging offensive comments for our moderators to review. By posting a comment, you agree to our full terms and conditions. Click here to read terms and conditions.
comments powered by Disqus