Trending
Most Read
  • Urinal Cake Records – “UrineFested” 6/21-6/22
    Profile: Urinal Cake Records (on Metro Times Music Blahg – “Urinal Cake Records’ First Year + New Gardens (Grows)”) “Urinefested” Local Label Showcase -2 day Fest in Detroit June 21-22nd at P.J.’s Lager House (1254 Michigan Ave), Friday: The Clone Defects, Terrible Twos, Moonhairy, Obnox, Ritual Howls, Mountains and Rainbows – - Saturday: Johnny Ill Band, Protomartyr, Growwing Pains, Drugs Dragons, K9 Sniffles, Feelings, Guinea Worms, and the Keep On Trash DJs. — Visual artwork displays by Jeff Arcel, Thelonious Bone, Davin Brainard, Zak Bratto, Joe Casey, Luke Chapelle, Jimbo Easter, Andy Gabrysiak, Ben Lyon, Johnny Lzr, Kara Meister, Nai Sammon, Timmy Vulgar, and Matt 7 http://urinalcakerecords.com – pjslagerhouse.com  ~   There seems to be a lot of local DIY record labels, lately. But Johnny Ill nonchalantly shrugs that into perspective: “Shit, there could be no one to put out your music. I’m not dong it, so I’m glad guys like Eric are doing it…”   It’s still a rarity, says Ill (a.k.a. John Garcia of The Johnny Ill Band,) for someone (like Eric Love of Urinal Cake Records) willingly financing and spending time resources for local songwriters to produce, package and distribute their works.   “The worst thing that could happen [...]
  • City Slang: Battlecross post-Orion news
    Following their triumphant appearance at OrionFest, local metal heads Battlecross has announced that drummer Kevin Talley (formerly of Six Feet Under, Chimaira and Dying Fetus) will be staying on with the band for its forthcoming tour. See Battlecross performing Slayer’s “War Ensemble” at OrionFest here. The new album, War of Will, will be released via Metal Blade on July 9, and the first single will be “Force Fed Lies”. Battlecross will be on the Mayhem Festival with Rob Zombie throughout the summer. Follow @City_Slang
  • DIA ‘Courts’ New Diners
    Who says the Detroit Institute of Arts is only for art admirers? The addition of a Friday night music schedule has found some new converts. And now food lovers can rejoice as the museum unveils a new go-to place for visitors to eat, drink, relax and socialize. It’s the newly revamped Kresge Court. Combining an elegant atmosphere with competitive prices, visitors can enjoy an array of gourmet snacks, sandwiches, salads and desserts that use regional ingredients. Befitting a hip hangout, the dishes skew creative. If you’re stopping by for a quick lunch, you’ve got to try the fine ficelle salad. The stars of this show are prosciutto, black mission fig jam, wild arugula and European-style thin sourdough baguette. The green goddess salad features local greens, carrot ribbons, marinated summer squash, sunflower seeds and currants. Other offerings include DIA deviled eggs and wasabi tobiko caviar; artichokes, radish, black olive aioli and flatbread; toasted farro salad with shaved fennel; surryano dry-cured ham with hot pepper pickles and more. Desserts include Italian pudding with bittersweet chocolate, seasonal fruit croustade, and an alcoholic spin on a Detroit classic, a Boston rum cooler with Vernor’s ginger ale, French vanilla ice cream, Captain Morgan spiced rum, [...]
  • The 1943 Detroit Race Riot, 70 years later
    Mention “Detroit” and “riot” to most metro Detroiters today, and most people will think of the year 1967. Some will call it a “riot” and some will call it a “rebellion,” but chances are that nobody will talk about Detroit’s forgotten riot, the 1943 Detroit race riot. Most likely, that’s because the events of 1943 don’t neatly dovetail with our conventional narratives about the Greatest Generation, and they provide ugly examples of white racism that most area residents, if they remember them, would rather forget. And that’s a shame, because the 1943 riot offers a chance to look beyond  simplistic sociological assumptions about ’60s civil disorder and the ensuing urban disintegration. This is especially interesting at a time when historians such as Thomas Sugrue are re-examining Detroit and the roles played by whites and their institutions, often uncovering sweeping antecedents that transcend a passive white exodus. And for those whites who think the ramifications of institutional racism are overstated, those old photographs of white mobs rampaging up and down Woodward Avenue, beating and stabbing black Detroiters, might change a mind or two. And 1943 is also worth another look because it helps define the early civil rights movement. It saw African-Americans effectively [...]
  • Oh Criminals, Where Art Thou?
    I would be lying if I said I wasn’t a little disappointed with my Detroit experience so far. In the past 8 months, I have no gunshot wounds, stabbing scars, or even a stolen vehicle to show for it. I don’t even have a lower credit score! When I told everyone I was moving here, I got a wave of backlash and pleas to reconsider. It reminded me of the time I traveled to the Middle East and, as I was boarding my flight, received a hundred text messages and calls saying, “If you go, you are going to DIE!” Well, my time in the Middle East was just as disappointing and uneventful as my time here in Motown. Where have all the criminals gone? With a nice bout of insomnia, I used to walk to the YMCA at 5 a.m. to work out in total darkness. My Dad freaked out when I told him. What my father can’t understand is that, unless you live right downtown, and once the sun sets, the streets of Detroit are deserted. No cars. No homeless people. Even the pimps seem to take the night off. I could streak down Woodward (my apologies for the [...]
  • City Slang: Weekly music review roundup
    Send CDs, vinyl, cassettes, demos and 8-tracks to Brett Callwood, Metro Times, 733 St. Antoine, Detroit, MI 46226. Email MP3s and streaming links to bcallwood@metrotimes.com. We had previously received a sampler CD from Funky D Records signees The Royal Blackbirds, and the full album Shot Down landed on our laps this week. Thanks to the presence of singer Rebecca Saad, there’s a cool, kinda Amy Gore-esque feel to the bluesy garage rock, perfectly highlighted by covers like “I Can Only Give You Everything” and the title track. The originals are cool too, and Tino Gross has dragged out the dust and grit from these youngsters. Great piece of work, all told. This week’s City Slang stars the Horse Cave Trio sent in the 2010 single “I Am the Sheik” (Funky D), and it’s worth another mention because it’s so damned gnarly, nasty and heavy. These guys are known for their rockabilly swagger, but they can let out an unholy roar when they want to. Detroit Frank DuMont loves his hometown so much, he put it in his name. His band is called the Drivin’ Wheels, and the logo was designed by Gary Grimshaw. Mind you, his new Let Me Be [...]
Detroit Daily Deals powered by ReferLocal
Calendar

Calendar

Search thousands of events in our database.

Restaurants

Search hundreds of restaurants in our database.

Nightlife

Search hundreds of clubs in our database.

MT on Twitter
MT on Facebook

Print Email

Politics & Prejudices

How to kill journalism

Reporters should crowdsource, tweet, shoot, SMS, live chat and — oh, yeah — report the news

The other day, I was sent a copy of a memo written by the bright, talented and hard-working managing editor of a group of weekly newspapers just outside the Detroit metro area.

The memo, "A Reporter with Today's Tools Should Use Them," was supposed to be a helpful guide to her reporters as to how to do their jobs better. But it actually is the single most stunning example I've ever seen of what is wrong with print journalism today.

First, it needs to be said is that the author, a young widow in her early 40s, is extremely earnest, well-intentioned and one of the hardest-working administrators I know; I was a writing coach for her newspapers when they had different ownership years ago.

Unfortunately, she now works for a division of the Journal-Register Company, which is to journalism what a Soviet slave labor camp was to the union movement. In the process, she seems to have lost sight completely of what journalism is supposed to be.

That's not surprising, given that part of her memo notes:

"Most of my 60-hour work week is spent editing copy, posting articles and photos online, assigning stories to staff and freelancers, engaging the audience on behalf of our publications via social media, keeping abreast of issues going on across the county, checking out new technology, processing press releases and reader-generated content, and administrative tasks such as tracking website traffic, managing my e-mail account, which brings in about 300 messages a day, reviewing and submitting payroll, employee reviews and processing stringer invoices."

Plus occasionally "filling in when we've been short-staffed to cover a government meeting or write some police briefs."

Her company is aggressively promoting the "digital future" of journalism, whatever that means. She has completely bought into the idea, and has trouble understanding why her staff hasn't.

"While I try to promote and model the approach that I would like my reporting staff to take in today's world, with social media and new technology at their disposal, part of me is torn in understanding why it's not being completely done the way I ask," she says plaintively.

Next, she spells out exactly what she wants.

Any time a reporter covers a story, she would ask:

• Did you crowdsource this topic so you could ask more relevant questions of local officials?

• Did you upload the City Council's agenda to our website using Scribd.com before the meeting and share it on social media so that readers would know that city leaders were considering raising their own salaries despite a general fund deficit?

• Did you "check in" to the meeting on social media and then Tweet and post on Facebook some of the discussion points during the meeting?

• Did you shoot video of local residents during the meeting protesting the decision, process it during the meeting, and post it on our website before the meeting ended?

• Did you post a paragraph on our website under Breaking News about the vote during the meeting and then write the full story after, post it online, and then push it out using social media, SMS text, or our breaking news alert via our e-newsletter subscriber list?

• Did you follow up on the issue by hosting a live chat the next day with local leaders and residents?

Now stop for a moment, and try to imagine Bob Woodward and Carl Bernstein reporting Watergate and being asked to do any of this. You can't even imagine anyone doing these things, except as a bad Saturday Night Live parody of the life of a multimedia reporter.

One woman named Martha who read this on the editor's blog asked two questions that were far more perceptive than anything in this pathetically ridiculous memo. Her first was, "Is a reporter going to spend literally days covering one event?"

The answer is, no way in hell. The weekly sweatshops that are Journal-Register newspapers expect reporters to cover dozens of events a week. Another reader named Beverly also gets it:

"If you are going to devote this much time and expertise to one story how are you going to cover the dozens of other stories that have the audacity to occur on the same day? Your method seems perfect for ... an encyclopedia. But in a metropolis ... it would be unwise to spend that much time bowing to electronic gadgetry."

Bingo.

What our poor, overworked, underpaid, technology-crazed editor has completely forgotten is the purpose of journalism. Which is, to make sense of a bewildering array of events for people.

We're supposed to give them a manageable digest of events — national, state and local, plus some good reading and useful information. Nobody wants to read a whole goddamn city council agenda. Nobody human wants to look at video of residents at a city council meeting, except those who care enough to go.

The multimedia approach this editor suggests for her local village council meeting would be entirely appropriate if Jesus Christ, Abraham Lincoln and Vladimir Lenin showed up and began raising the dead, while simultaneously walking a tightrope backwards.

Otherwise, no.

What is most ironic is that by driving their reporters to do this nonsense, editors like this woman are helping put their own papers out of business. Let's give the last word to blog reader Martha:

We welcome user discussion on our site, under the following guidelines:

To comment you must first create a profile and sign-in with a verified DISQUS account or social network ID. Sign up here.

Comments in violation of the rules will be denied, and repeat violators will be banned. Please help police the community by flagging offensive comments for our moderators to review. By posting a comment, you agree to our full terms and conditions. Click here to read terms and conditions.
comments powered by Disqus