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Urinal Cake Records – “UrinFested” 6/21-6/22
Profile: Urinal Cake Records (on Metro Times Music Blahg – “Urinal Cake Records’ First Year + New Gardens (Grows)”) “Urinefested” Local Label Showcase -2 day Fest in Detroit June 21-22nd at P.J.’s Lager House (1254 Michigan Ave), Friday: The Clone Defects, Terrible Twos, Moonhairy, Obnox, Ritual Howls, Mountains and Rainbows – - Saturday: Johnny Ill Band, Protomartyr, Growwing Pains, Drugs Dragons, K9 Sniffles, Feelings, Guinea Worms, and the Keep On Trash DJs. — Visual artwork displays by Jeff Arcel, Thelonious Bone, Davin Brainard, Zak Bratto, Joe Casey, Luke Chapelle, Jimbo Easter, Andy Gabrysiak, Ben Lyon, Johnny Lzr, Kara Meister, Nai Sammon, Timmy Vulgar, and Matt 7 http://urinalcakerecords.com – pjslagerhouse.com ~ There seems to be a lot of local DIY record labels, lately. But Johnny Ill nonchalantly shrugs that into perspective: “Shit, there could be no one to put out your music. I’m not dong it, so I’m glad guys like Eric are doing it…” It’s still a rarity, says Ill (a.k.a. John Garcia of The Johnny Ill Band,) for someone (like Eric Love of Urinal Cake Records) willingly financing and spending time resources for local songwriters to produce, package and distribute their works. “The worst thing that could happen [...]
City Slang: Battlecross post-Orion news
Following their triumphant appearance at OrionFest, local metal heads Battlecross has announced that drummer Kevin Talley (formerly of Six Feet Under, Chimaira and Dying Fetus) will be staying on with the band for its forthcoming tour. See Battlecross performing Slayer’s “War Ensemble” at OrionFest here. The new album, War of Will, will be released via Metal Blade on July 9, and the first single will be “Force Fed Lies”. Battlecross will be on the Mayhem Festival with Rob Zombie throughout the summer. Follow @City_Slang
DIA ‘Courts’ New Diners
Who says the Detroit Institute of Arts is only for art admirers? The addition of a Friday night music schedule has found some new converts. And now food lovers can rejoice as the museum unveils a new go-to place for visitors to eat, drink, relax and socialize. It’s the newly revamped Kresge Court. Combining an elegant atmosphere with competitive prices, visitors can enjoy an array of gourmet snacks, sandwiches, salads and desserts that use regional ingredients. Befitting a hip hangout, the dishes skew creative. If you’re stopping by for a quick lunch, you’ve got to try the fine ficelle salad. The stars of this show are prosciutto, black mission fig jam, wild arugula and European-style thin sourdough baguette. The green goddess salad features local greens, carrot ribbons, marinated summer squash, sunflower seeds and currants. Other offerings include DIA deviled eggs and wasabi tobiko caviar; artichokes, radish, black olive aioli and flatbread; toasted farro salad with shaved fennel; surryano dry-cured ham with hot pepper pickles and more. Desserts include Italian pudding with bittersweet chocolate, seasonal fruit croustade, and an alcoholic spin on a Detroit classic, a Boston rum cooler with Vernor’s ginger ale, French vanilla ice cream, Captain Morgan spiced rum, [...]
The 1943 Detroit Race Riot, 70 years later
Mention “Detroit” and “riot” to most metro Detroiters today, and most people will think of the year 1967. Some will call it a “riot” and some will call it a “rebellion,” but chances are that nobody will talk about Detroit’s forgotten riot, the 1943 Detroit race riot. Most likely, that’s because the events of 1943 don’t neatly dovetail with our conventional narratives about the Greatest Generation, and they provide ugly examples of white racism that most area residents, if they remember them, would rather forget. And that’s a shame, because the 1943 riot offers a chance to look beyond simplistic sociological assumptions about ’60s civil disorder and the ensuing urban disintegration. This is especially interesting at a time when historians such as Thomas Sugrue are re-examining Detroit and the roles played by whites and their institutions, often uncovering sweeping antecedents that transcend a passive white exodus. And for those whites who think the ramifications of institutional racism are overstated, those old photographs of white mobs rampaging up and down Woodward Avenue, beating and stabbing black Detroiters, might change a mind or two. And 1943 is also worth another look because it helps define the early civil rights movement. It saw African-Americans effectively [...]
Oh Criminals, Where Art Thou?
I would be lying if I said I wasn’t a little disappointed with my Detroit experience so far. In the past 8 months, I have no gunshot wounds, stabbing scars, or even a stolen vehicle to show for it. I don’t even have a lower credit score! When I told everyone I was moving here, I got a wave of backlash and pleas to reconsider. It reminded me of the time I traveled to the Middle East and, as I was boarding my flight, received a hundred text messages and calls saying, “If you go, you are going to DIE!” Well, my time in the Middle East was just as disappointing and uneventful as my time here in Motown. Where have all the criminals gone? With a nice bout of insomnia, I used to walk to the YMCA at 5 a.m. to work out in total darkness. My Dad freaked out when I told him. What my father can’t understand is that, unless you live right downtown, and once the sun sets, the streets of Detroit are deserted. No cars. No homeless people. Even the pimps seem to take the night off. I could streak down Woodward (my apologies for the [...]
City Slang: Weekly music review roundup
Send CDs, vinyl, cassettes, demos and 8-tracks to Brett Callwood, Metro Times, 733 St. Antoine, Detroit, MI 46226. Email MP3s and streaming links to bcallwood@metrotimes.com. We had previously received a sampler CD from Funky D Records signees The Royal Blackbirds, and the full album Shot Down landed on our laps this week. Thanks to the presence of singer Rebecca Saad, there’s a cool, kinda Amy Gore-esque feel to the bluesy garage rock, perfectly highlighted by covers like “I Can Only Give You Everything” and the title track. The originals are cool too, and Tino Gross has dragged out the dust and grit from these youngsters. Great piece of work, all told. This week’s City Slang stars the Horse Cave Trio sent in the 2010 single “I Am the Sheik” (Funky D), and it’s worth another mention because it’s so damned gnarly, nasty and heavy. These guys are known for their rockabilly swagger, but they can let out an unholy roar when they want to. Detroit Frank DuMont loves his hometown so much, he put it in his name. His band is called the Drivin’ Wheels, and the logo was designed by Gary Grimshaw. Mind you, his new Let Me Be [...]

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Feature

Sonic manhood

How artist Matthew Zacharias talks GI Joes and coming of age

Photo: , License: N/A

Zacharias triptych entitled "Childhood, Boyhood, Sonic Youth

By Peter Markus

Published: June 6, 2012

MT: Describe the reaction of your ideal gallery gawker who really gets what you're doing.

Zacharias: Well, no one would know anything about what I'm doing without the opportunity to occupy a space. Simone's [DeSousa] gallery [Re:View Contemporary] is a perfect space and it's a privilege to be a part of what she has going on. She's making shit happen in Detroit. As far as the gawkers go, my hope is that people will have their own reaction to the pieces versus any kind of agenda that I'm trying to say-create-construct. My hope is that they will create their own meaning and stories based on what's riffing off of the wall.

MT: You started out as a filmmaker? Why the shift to the canvas: the silent text, the still image?

Zacharias: Still, moving, static, or whatever: it's all one big movie in my eyes. The canvases are biggie-sized storyboards for a large bowl of visual-soup. I'm a visual freak. Scott Allen is the same way. He and I will flip through magazines [for collage work] all day in the studio getting drunk off of imagery. Then we do the same with the silkscreens: playing, riffing with pictures. ... Then we play until it "works."

MT: If this show had a six-song soundtrack, what would it be?

Zacharias:

1 "Punk" Gorillaz

2 "Dumb" Nirvana

3 "Jackie Blue" Ozark Mountain Daredevils

4 "When Yer Twenty Two" Flaming Lips

5 "Open My Eyes" Nazz

6 "Let Forever Be" Chemical Brothers

MT: Childhood, Boyhood, Sonic Youth: a sort of where I've been, what I've done, what I wished I'd done. What part of the bigger picture do you see yourself entering at this point of your life?

Zacharias: Hopefully, some form of "Sonic-Manhood." There is always a kind of closure, or cathartic chapter-closing that happens after a body of work is produced. The content of this show, as the title overstates, has a "coming-of-age" theme. My maturity level is a work-in-progress, but I need to keep moving forward. I can't play with GI Joe forever.

Peter Markus is an author and senior writer of the InsideOut Literary Arts Project. His most recent book of stories is We Make Mud. Send comments to letters@metrotimes.com.

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