Canvassing The Hood - Arts - Detroit Metro Times

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City Slang: New Black Dahlia Murder album lands at number 32 on Billboard charts
Everblack, the new album from local metal heads Black Dahlia Murder, released on Metal Blade Records, entered the Billboard top 200 at number 32. According to a statement, “The album also landed at #3 on the Billboard Current Hard Music Albums chart (behind Black Sabbath and Queens of the Stone Age). Additional chart debuts include #3 on the Billboard Hard Music Albums, #9 on the Billboard Independent Albums, and #30 on the Hits Albums Chart. Additionally, the album peaked at #15 on the iTunes album chart, and #2 on the iTunes Metal chart, second only to living legends Black Sabbath.” BDM’s Trevor Strnad reacts to the success of the album: “We are thrilled that “Everblack” is being so well received by the fans and we thank them truly from the heart for picking the album up. It’s been an amazing ride so far and the new album is our proudest moment yet. THANKS!!” Click here to join the City Slang Turntable community!!! Follow @City_Slang
Urinal Cake Records – “UrineFested” 6/21-6/22
Profile: Urinal Cake Records (on Metro Times Music Blahg – “Urinal Cake Records’ First Year + New Gardens (Grows)”) “Urinefested” Local Label Showcase -2 day Fest in Detroit June 21-22nd at P.J.’s Lager House (1254 Michigan Ave), Friday: The Clone Defects, Terrible Twos, Moonhairy, Obnox, Ritual Howls, Mountains and Rainbows – - Saturday: Johnny Ill Band, Protomartyr, Growwing Pains, Drugs Dragons, K9 Sniffles, Feelings, Guinea Worms, and the Keep On Trash DJs. — Visual artwork displays by Jeff Arcel, Thelonious Bone, Davin Brainard, Zak Bratto, Joe Casey, Luke Chapelle, Jimbo Easter, Andy Gabrysiak, Ben Lyon, Johnny Lzr, Kara Meister, Nai Sammon, Timmy Vulgar, and Matt 7 http://urinalcakerecords.com – pjslagerhouse.com ~ There seems to be a lot of local DIY record labels, lately. But Johnny Ill nonchalantly shrugs that into perspective: “Shit, there could be no one to put out your music. I’m not dong it, so I’m glad guys like Eric are doing it…” It’s still a rarity, says Ill (a.k.a. John Garcia of The Johnny Ill Band,) for someone (like Eric Love of Urinal Cake Records) willingly financing and spending time resources for local songwriters to produce, package and distribute their works. “The worst thing that could happen [...]
City Slang: Battlecross post-Orion news
Following their triumphant appearance at OrionFest, local metal heads Battlecross has announced that drummer Kevin Talley (formerly of Six Feet Under, Chimaira and Dying Fetus) will be staying on with the band for its forthcoming tour. See Battlecross performing Slayer’s “War Ensemble” at OrionFest here. The new album, War of Will, will be released via Metal Blade on July 9, and the first single will be “Force Fed Lies”. Battlecross will be on the Mayhem Festival with Rob Zombie throughout the summer. Follow @City_Slang
DIA ‘Courts’ New Diners
Who says the Detroit Institute of Arts is only for art admirers? The addition of a Friday night music schedule has found some new converts. And now food lovers can rejoice as the museum unveils a new go-to place for visitors to eat, drink, relax and socialize. It’s the newly revamped Kresge Court. Combining an elegant atmosphere with competitive prices, visitors can enjoy an array of gourmet snacks, sandwiches, salads and desserts that use regional ingredients. Befitting a hip hangout, the dishes skew creative. If you’re stopping by for a quick lunch, you’ve got to try the fine ficelle salad. The stars of this show are prosciutto, black mission fig jam, wild arugula and European-style thin sourdough baguette. The green goddess salad features local greens, carrot ribbons, marinated summer squash, sunflower seeds and currants. Other offerings include DIA deviled eggs and wasabi tobiko caviar; artichokes, radish, black olive aioli and flatbread; toasted farro salad with shaved fennel; surryano dry-cured ham with hot pepper pickles and more. Desserts include Italian pudding with bittersweet chocolate, seasonal fruit croustade, and an alcoholic spin on a Detroit classic, a Boston rum cooler with Vernor’s ginger ale, French vanilla ice cream, Captain Morgan spiced rum, [...]
The 1943 Detroit Race Riot, 70 years later
Mention “Detroit” and “riot” to most metro Detroiters today, and most people will think of the year 1967. Some will call it a “riot” and some will call it a “rebellion,” but chances are that nobody will talk about Detroit’s forgotten riot, the 1943 Detroit race riot. Most likely, that’s because the events of 1943 don’t neatly dovetail with our conventional narratives about the Greatest Generation, and they provide ugly examples of white racism that most area residents, if they remember them, would rather forget. And that’s a shame, because the 1943 riot offers a chance to look beyond simplistic sociological assumptions about ’60s civil disorder and the ensuing urban disintegration. This is especially interesting at a time when historians such as Thomas Sugrue are re-examining Detroit and the roles played by whites and their institutions, often uncovering sweeping antecedents that transcend a passive white exodus. And for those whites who think the ramifications of institutional racism are overstated, those old photographs of white mobs rampaging up and down Woodward Avenue, beating and stabbing black Detroiters, might change a mind or two. And 1943 is also worth another look because it helps define the early civil rights movement. It saw African-Americans effectively [...]
Oh Criminals, Where Art Thou?
I would be lying if I said I wasn’t a little disappointed with my Detroit experience so far. In the past 8 months, I have no gunshot wounds, stabbing scars, or even a stolen vehicle to show for it. I don’t even have a lower credit score! When I told everyone I was moving here, I got a wave of backlash and pleas to reconsider. It reminded me of the time I traveled to the Middle East and, as I was boarding my flight, received a hundred text messages and calls saying, “If you go, you are going to DIE!” Well, my time in the Middle East was just as disappointing and uneventful as my time here in Motown. Where have all the criminals gone? With a nice bout of insomnia, I used to walk to the YMCA at 5 a.m. to work out in total darkness. My Dad freaked out when I told him. What my father can’t understand is that, unless you live right downtown, and once the sun sets, the streets of Detroit are deserted. No cars. No homeless people. Even the pimps seem to take the night off. I could streak down Woodward (my apologies for the [...]

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Canvassing The Hood

The deets on Dlectricity, Evil Dead: The Musical and Death and the Maiden

Photo: , License: N/A

Dlectricity: Melanie Manos in a digital rendering of "The Climb."

Photo: , License: N/A

Dlectricity: Gabriel Hall, Audra Kubat, Daniel Land at DPL.

Photo: N/A, License: N/A

Sheri Mocheit as Linda and Pete Podolski as Ash.

Photo: N/A, License: N/A

Clockwise: Karen Kron, Patrick Loos and Samer Ajluni.

By Emily Riopelle

Published: October 3, 2012

The combination of a horror movie and a musical may seem odd, but the humor is what ties the show together and brings fans of both horror and musicals together. The dialogue is packed with clever one-liners ("the trees are alive with the sound of evil") and cheesy puns that everyone can enjoy. As Warrow puts it, "It's funny if you haven't seen the movies, it's hysterical if you have." For a not-so-scary (but still adult) Halloween activity, find tickets at olympiaentertainment.com. —Emily Riopelle

Death and the Maiden

What: Playwright Ariel Dorfman's riveting dramatic answer to the crimes of the Pinochet regime, exploring what happens to people after being subject to the brutality of totalitarianism

When: Performances at 8 p.m. Friday-Saturday, at 3 p.m. Sundays, until Oct. 14

Where: The Matrix Theatre Company, 2730 Bagley St., Detroit; 313-967-0999; matrixtheatre.org

How much: $20 for adults, $15 for students and seniors, $12 for members of groups of 10 or more (call in advance)

What a hook! Set in a Latin American country in the wake of Chile's totalitarian Pinochet regime, a lawyer named Gerardo is returning from a visit to the capital to the small beach house he shares with his wife. When his car gets a flat tire, he's helped by a doctor named Roberto, who gives Gerardo a ride home to his wife. But there's something about this doctor that reminds Gerardo's wife, Paulina, of the brutal torturer whose face she never saw, the man who raped her when she was a political prisoner. What ensues is a trial, of sorts, in which the doctor must answer for the crimes of the former regime, and in which we're never sure if he is, in fact, guilty at all. The play, written by Ariel Dorfman in 1990, in the immediate aftermath of the Pinochet government, is a hard-hitting piece that, in the hands of skilled actors, can pack quite a punch.

The all-local cast is directed by Kate Peckham, with Karon Kron giving a compelling performance as Paulina. And this staging makes powerful use of Matrix's small space, as no audience member is more than six feet away from the actors at any point. Shaun Nethercott says, "It's an extremely powerful, very convincing journey through good an evil, and to be so close to a raw and powerful performances is amazing."

What's more, it fits right in with the small southwest Detroit theater's mission to use the "transformative power of theatre to change lives, build community and foster social justice." —Michael Jackman

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