Dlectricity

What: An after-dark light and art exhibition.

 

When: From 7 p.m. to midnight Oct. 5, from 7 p.m. to 2 a.m. Oct. 6.

 

Where: Midtown Detroit.

 

This Friday and Saturday night, Midtown will be transformed into a glowing exhibition of light and art by the new Dlectricity festival. The festival will feature about 35 installations scattered along the Midtown area from CCS to the MOCAD. It is produced by Art Detroit Now and Midtown Detroit, Inc, headed by Sue Mosey, also known as the "Midtown Mayor." Sue has been working for more than 20 years to develop Midtown into a thriving business and art district. Mosey feels that events such as Dlectricity are "a critical part of revitalization, because it brings a lot of folks here and really contributes to our local economy." Midtown Detroit also produces the art events Noel Night and Art X Detroit. Mosey points out that, as an area with three museums and more than 35 galleries, events like Dlectricity are important to Midtown's art district branding.

The idea for the festival was born of the many technological resources already available in the area. The idea of combining art and technology is certainly a hugely developing field, and organizers knew there would be a lot of people interested. More than 200 applicants called wanting to participate, including Detroit artist and U-M alum Melanie Manos. Manos has a penchant for creating art with her own body juxtaposed with a built environment. She says, "It comes from a compulsion to climb in things and on things — I didn't lose that from being a kid." But more recently, Manos has begun doing collaborative work, including projected installations. When she heard about Dlectricity, she knew a projection piece would fit in well. She took photos of buildings in the area to inspire her piece, "The Climb." The official description of the piece, published in the brochure, reads, "A woman scales the wall of the 71 E. Garfield Building in a Buster Keaton-esque climb to the top — GASP!" When confronted by a friend about the daring task, Manos' reaction was, "I didn't think anyone would think I was actually going to do it." Her description, it turns out, was meant to be a joke. In actuality, a giant projection of a woman scales said wall — not quite as dangerous, but still sure to be a spectacle.

Another event, scheduled for the Detroit Public Library, is a 3-D animation paired with live music by Gabe Hall, Daniel Land, Audra Kubat and Gabe Rice. The piece will project the history of recorded human knowledge, including the tragic destruction of the Library of Alexandria.

Other events include a shadow puppet show, a block party in the Sugar Hill district (around MOCAD and the N'Namdi Center), laser shows, an interactive electronic DJ, and a light bike parade. The event is free and mostly outdoors, and Manos points out, "Detroit has this great tradition of outdoor music festivals and I think this could really fall into that tradition." To get more information about Dlectricity, see dlectricity.com. —Emily Riopelle

Evil Dead: The Musical

What: A singing, dancing version of the seminal 1981 horror-comedy pitting humans against "deadites"

 

When: Oct. 4-27.

 

Where: The City Theatre inside Hockeytown Café, 2301 Woodward Ave., Detroit; 313-965-9500

 

How much: $26 for general admission.

 

What could be better than a campy, bloody movie about teenagers turning into demons in the woods? A musical version! At least, that's what the producers at The Ringwald Theatre thought four years ago, when they brought Evil Dead: The Musical to Detroit — and audiences agreed. This year, the show is back, running every weekend in October at the City Theatre inside Hockeytown Café. Though the musical was first put on in Toronto, it only seems appropriate that the show should be brought to metro Detroit, the birthplace of Evil Dead director, Sam Raimi.

The musical version follows the characters, Ash, Cheryl, Scott, Linda and Shelly, from the 1981 film The Evil Dead, but the plot draws from all three of the Evil Dead films, focusing on the third, Army of Darkness. The show uses the musical vehicle to bring the tongue-in-cheek camp of the film to a whole new level. Numbers like, "All the Men in My Life Keep Getting Killed by Candarian Demons," and "Bit Part Demon," poke fun at the low-budget gory silliness that created the Evil Dead cult following in the first place.

Hardcore fans of the films have probably already seen the show three times, but if not, they will jump at the opportunity to see Ash's hand caught in the blender in person or Linda's severed head. The cheesy gore that every horror movie buff loved in the films is amped up in the musical, and the blood-soaked carpet on the theater floor proves it. Three rows of seats are even designated the "splatter zone" to warn audience members that they may be covered in blood by the time they exit the theater, but producer Jamie Warrow warns, "I'm not guaranteeing people in the back rows won't get hit."

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