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    • Film Review: Man of Steel This latest Superman iteration is a visual feast but light on character development. | 6/14/2013
    • From Motown to Coketown? Is keeping the petroleum byproduct known as “petcoke” stored, in the open, on the bank of the Detroit River a wise decision? | 6/12/2013
    • Film Review: Before Midnight The Before series earns its hat trick with the release of Richard Linklater's third installment. | 6/13/2013
    • What’s next for Detroit? Suggestions for Kevyn Orr | 6/12/2013
    • Moo Cluck Moo A better burger | 6/12/2013
    • 10 Most Absurd Sex Tips from the Christian Right Evangelical Advice | 5/29/2013
    • Film Review: The Purge Not even this rag can print the proper language that this crap film inspires. | 6/12/2013
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    Download of the Week

    Amelia Dream Project

    "Starboard"

    The Amelia Dream Project is something of a local supergroup, with members of Ghostlady, Sista Otis, the Questions and many more coming together to tell the rather sweet story of a girl adrift in the world between wake and sleep. "Starboard" has an appropriately dreamy, ambient feel despite the classic rock leanings. "You couldn't get up today," singer Renee Hytinen sings, as the band lays down some awesome indie rock. We will be checking out more.—Brett Callwood

    Download Now.

    Motor City Seen
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    Bret McCabe Archives

    Current Stories
    • Sharp Dressed Man Chris Schafer brings custom menswear back to Baltimore | 6/19/2013
    • Smoke and the Water Two solo shows exhibit mastery of medium | 6/19/2013
    • Film Review: Before Midnight Two young people who spent a magical night in Vienna in 1995’s Before Sunrise, miraculously reconnected nearly a decade later, in Paris, in 2004’s Before Sunset. | 6/12/2013
    • Booed Music What’s up with avant-garde music | 6/5/2013
    • Screwballs Iron Crow’s show explores gender as a performance with madcap hijinks | 6/5/2013
    • Visual Activists at Work LGBT Film Festival brings groundbreaking South African doc to town | 6/5/2013
    • Cool For Cats New EMP exhibit recalls “godawfulism”—in a good way | 5/29/2013
    • Lift Every Voice Ian Nagoski’s Canary Records collects less-heard streams of music | 5/29/2013
    • Community Metal Killing Machine Baltimore Rock Opera Society reaches epic new heights with Murdercastle | 5/8/2013
    • Say you want a revolution Single Carrot investigates 126-day hostage crisis in Peru | 4/24/2013
    • Seattle’s Super Sonics Kinski joins hometown contemporaries in embracing ’70s rawk | 4/10/2013
    • Booed Music What’s up with avant-garde music | 4/10/2013
    • Abstract Romance If Terrence Malick directed a soap opera, it just might look like this | 4/10/2013
    • Backdoor Economics The American obsession with smuggling, from the Boston Tea Party through today’s drug trade | 4/3/2013
    • Uncanny Valley Artist uses language of 20th century abstraction to examine current condition | 4/3/2013
    • Sunny Disposition Liz Meredith and John Somers go epic on five-LP box set | 3/20/2013
    • The Accidental Artist Experimental writing that aims for a broad audience | 3/20/2013
    • Persian Visions Contemporary Photography from Iran | 3/20/2013
    • The awkward teenage blues Stephanie Barber's new book, "Night Moves," recognizes that online commenting has become a form of literary modernism | 3/13/2013
    • No Words NOVO Festival lets the music do the talking | 3/6/2013
    • Booed Music What’s up with avant-garde music | 2/20/2013
    • Cotton Matters Jeffrey Kent’s Preach! seeks to deliver us from the history we may have forgotten | 2/20/2013
    • Awkward teenage Blues Stephanie Barber didn’t write one word in her new book, Night Moves (Publishing Genius). She didn’t even place one punctuation mark in its 70-something pages. She edited the text—if by “editing” you mean deleting the original authors’ names. | 2/13/2013
    • Falling Out Filmmaker explores the strained relationship with his father in an experimental documentary | 2/6/2013
    • Lost in Place Interactive show at Creative Alliance investigates our relationship to maps, space, and each other. | 2/6/2013
    • Chris Toll The kind intellectual | 1/2/2013
    • Booed Music What’s up with avant-garde and experimental | 1/2/2013
    • Liberty and Lunacy Reissue of 85-year-old book reminds of America’s history of cultish ideas | 12/26/2012
    • Dick in a Box Annex Theater brings the philosophical sci-fi of Philip K. Dick to the stage | 12/19/2012
    • The Art of War Exhibition forces us to see soldiers as artists | 12/5/2012
    • Twin Peaks: Fire Walk With Me The challenging prequel to TV’s Twin Peaks | 11/28/2012
    • Surface Tension Two shows place experience above image | 11/28/2012
    • Booed Music What’s up with avant-garde and experimental | 11/14/2012
    • Red Flags Baltimore Performance Kitchen asks a lot from the audience | 10/29/2012
    • Murder By Numbers Local author looks at the forgotten victims of serial killers | 10/17/2012
    • Remembering Chris Toll Poet Chris Toll died on Sept. 27 at the age of 64. | 10/10/2012
    • Back to the Future Open Space show mines 1970s sci-fi speculation | 9/26/2012
    • Booed Music What’s up with avant-garde and experimental | 9/26/2012
    • Quiet Riot Leo Svirsky melds radical ideas and refined music | 8/29/2012
    • Running Free Horse Lords push Krautrock in adventurous new directions | 8/22/2012
    • Martin Amis: Lionel Asbo: State of England Martin Amis takes aim at the contemporary world | 8/22/2012
    • Go Tell It On Charles Street Station North Arts Café hosts James Baldwin conference | 7/25/2012
    • Booed Music What’s up with avant-garde and experimental | 7/25/2012
    • Red Tape Local horror filmmakers Chris LaMartina and Jimmy George bring their celebration of VHS’s idiosyncratic qualities to Artscape | 7/18/2012
    • Booed Music What’s up with avant-garde and experimental | 7/18/2012
    • Art of the party Terry Thompson’s paintings draw on his days as a Baltimore club DJ | 6/27/2012
    • Rewiring The Classics Americana meets electronica on new releases from Blues Control and Daughn Gibson | 6/20/2012
    • Gary B and the Notions How Do We Explode | 6/13/2012
    • Melting Pot Christopher LaVoie occupies a new gallery with slippery rage | 6/13/2012
    • The Open Road A new, queer bike collective aims to include everyone on two wheels | 6/13/2012
    • Dunne Deal Phoebe Jean Dunne concocts a heartfelt album with diverse influences | 6/6/2012
    • Hitting the Notes Dope Body finds the next level of its bruising sound | 5/23/2012
    • Teed Off How mini golf tamed a golf-hater | 5/16/2012
    • Creative Comeback D’metrius Rice’s first solo show includes work made in the aftermath of a brutal beating | 5/9/2012
    • Do the Sambola Writer/director Whit Stillman returns, heads to campus, grabs Greta Gerwig, and hits the dance floor | 4/25/2012
    • Damsels in Distress The movie follows the romantic and academic travails of Violet (Greta Gerwig) | 4/25/2012
    • Breaking Away The Baltimore superhumans that manage to race bicycles while leading actual normal lives on the side | 4/18/2012
    • Due Process Drummer Devin Gray brings process to life and finds his writing voice | 4/18/2012
    • Adapting Cinderella An original production takes Cinderella to task | 3/14/2012
    • Lesser Gonzalez Alvarez: Make/Shift Local artist uses images of consumerism to deliver a scathing critique | 2/29/2012
    • Arts Advocate Nancy Haragan Passes The arts community bids farewell to Nancy Haragan | 12/7/2011
    • Weekend Like lovers do - A well wrought tête-à-tête involving two men who lead very different lives | 10/14/2011
    • Page One: Inside the New York Times Over the course of Page’s 88 minutes, Carr emerges as its de facto focus | 8/3/2011
    • Linus and Alora Lively play confronts the end with almost childish preciousness | 7/6/2011
    • Finalist Words Sondheim show rarely disappoints | 7/6/2011
    • Page One: Inside the New York Times Documentary finds America’s foremost daily paper struggling with the future—and itself | 6/29/2011
    • Getting There Roots Fest 2011 turns the “Highway to Nowhere” into a local destination | 6/22/2011
    • Letting loose Sitarist-vocalist Ami Dang moves from head trips to hybrid pop | 6/16/2011
    • John Berndt: New Logic for Old Saxophones | 6/8/2011
    • Kreuzberg: Kreuzberg it’s so infectious the machine-like steady beat that Klaus Dinger lays down and guitarist Michael Rother builds epics around. | 6/15/2011
    • Denis Villeneuve The Incendies writer/director talks landing a dream project and getting more than he bargained for | 6/1/2011
    • The Tree of Life Terrence Malick's personal epic dazzles and confounds | 6/8/2011
    • Midnight In Paris it’s a pretty typical Allen foray into imaginative entertainment | 6/8/2011
    • Cue Lasers BROS delivers a little too much rock opera for one hand night | 6/8/2011
    • Speaking Parts Cast highlights a bloody relationship drama | 6/8/2011
    • Nick's Rotisserie The chicken from Nick’s Rotisserie will bring out your true carnivore. | 6/8/2011
    • Incendies Her entire world changes in one drawn breath. | 6/1/2011
    • Ex-Replicas: Ex-Replicas Ex-Replicas Ex-Replicas Anchor Records With a jerking percussion pattern crashing into a series of guitar chord punches and both backing a snaking guitar arpeggio, Ex-Replicas’ “Camera” kicks up a melodic angularity that used to percolate through a | 6/1/2011
    • Daytime: Serendipity, Co La Dial: Dial Tone Earth Daytime Serendipity Friends Co La Dial Tone Earth Friends Two tracks, 14-ish minutes apiece. The music is minimal—or even thin—ambience in one of its most pure states of softly waving, if not so much swelling, cool-sheet-pleasant sound, more | 6/1/2011
    • X-Men: First Class, Up X-MEN: FIRST CLASS and UP | 6/1/2011
    • American: The Bill Hicks Story When pancreatic cancer took the life of Bill Hicks in 1994, he was beloved by a core fan base and adored in the UK. | 6/1/2011
    • New This Week THE HANGOVER PART 2 They’re tanned. They’re rested. They’re . . . in Bangkok? | 5/25/2011
    • Queen to Play Writer/director Caroline Bottaro’s feature debut offers Sandrine Bonnaire a chance to strut her considerable acting stuff in this lighthearted but smart tale. | 5/25/2011
    • The Double Hour One look at Guido lets you know he’s seen more than he wishes he has in this life already. | 5/25/2011
    • A Sense Of Place Dual exhibit features variations on dislocation and repetition | 5/25/2011
    • Potiche You don’t have to have carried a lifelong torch for French cinema to appreciate François Ozon, but it certainly doesn’t hurt. | 5/18/2011
    • Meek’s Cutoff Manifest destiny sounds like overburdened old wooden furniture. | 5/18/2011
    • Three Stories of Galicia Documentary film excavates the 20th-century troubles of an Eastern European region | 5/11/2011
    • Mopar Mountain Daredevils: Mopar Bloody Mopar This hair-farming Baltimore quintet added a sticker to its 2009 debut EP to give it that extra special patina. | 5/11/2011
    • Morgan Spurlock The documentary filmmaker enters the corporate world of brand management in The Greatest Movie Ever Sold | 5/11/2011
    • POM Wonderful Presents: The Greatest Movie Ever Sold Part marketing dissection, part marketing lesson. | 5/11/2011
    • Baltimore: Open City Latest Exhibition Development Seminar examines Baltimore’s user experience | 5/11/2011
    • Rooms Play A supposedly theater thing I’d probably do again | 5/4/2011
    • Power Moves Forever Quest Dancers recreate video-game worlds in this surreal production | 5/4/2011
    • Holly Hughes The Dog and Pony Show (Bring Your Own Pony) | 4/27/2011
    • Rooms Play More than 50 artists invite you to an adventure through alienation | 4/27/2011
    • Show Motion Transmodern Festival focuses its many creative brains on movement in its various forms | 4/27/2011
    • Quick Sketches The works of Ruth Pettus and roycrosse complement each other in Area 405’s Conventions | 4/20/2011
    • Variations on Chaos Run of the Mill offers a skillfully handled look at disorder | 4/20/2011
    • Curtain Time The Story of Invention, plus a limited run, a closing, a one night only, and an opening | 4/20/2011

    View older articles written by Bret McCabe.




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